Bøger af Alexander Welsh

For about three thousand years comedy has applied a welcome humanist perspective to the world’s religious beliefs and practices. From the ancient Greek comedies of Aristophanes, the famous poem by Lucretius, and dialogues of Cicero to early modern and Enlightenment essays and philosophical texts, together with the inherent skepticism about life after death in tragicomedies by Plautus, Shakespeare, Molière, and nineteenth-century novels by such as Dickens and Hugo, the literary critic and historian Alexander Welsh analyzes the prevalence of openness of mind and relieving good humor in Western thought. The Humanist Comedy concludes with close examination of a postmodern novel by the Nobel Prize winner José Saramago.

Focusing on Shakespeare's Hamlet as foremost a study of grief, Alexander Welsh offers a powerful analysis of its protagonist as the archetype of the modern hero. For over two centuries writers and critics have viewed Hamlet's persona as a fascinating blend of self-consciousness, guilt, and wit. Yet in order to understand more deeply the modernity of this Shakespearean hero, Welsh first situates Hamlet within the context of family and mourning as it was presented in other revenge tragedies of Shakespeare's time. Revenge, he maintains, appears as a function of mourning rather than an end in itself. Welsh also reminds us that the mourning of a son for his father may not always be sincere. This book relates the problem of dubious mourning to Hamlet's ascendancy as an icon of Western culture, which began late in the eighteenth century, a time when the thinking of past generations--or fathers--represented to many an obstacle to human progress. Welsh reveals how Hamlet inspired some of the greatest practitioners of modernity's quintessential literary form, the novel. Goethe's Wilhelm Meister's Apprenticeship, Scott's Redgauntlet, Dickens's Great Expectations, Melville's Pierre, and Joyce's Ulysses all enhance our understanding of the play while illustrating a trend in which Hamlet ultimately becomes a model of intense consciousness. Arguing that modern consciousness mourns for the past, even as it pretends to be free of it, Welsh offers a compelling explanation of why Hamlet remains marvelously attractive to this day.

An examination of Charles Dickens's "Bleak House" and "Hard Times", the two novels written after "David Copperfield". Alexander Welsh offers a reassessment of this important stage in the author's career and provides discussions of and insights into each novel.