Bøger af Alexis Easley

[headline]The emergence of a mass reading public during the early decades of the nineteenth century sparked a period of creative innovation in the popular press While today we might associate 'new media' with digital technologies, such innovations have a long history that precedes - and in many ways anticipates - the present moment. This collection reveals how the period between 1820 and 1845 was crucial in the development of the modern press, including experimentation with new publication formats; the reinvention and remediation of older forms; and the definition of new kinds of contributors and audiences for print. It brings to light the contributions of many important but long-forgotten writers, illustrators and editors who created and harnessed the idea of a mass reading public and shows how steam printing, popular education campaigns and new technologies of illustration led to new trends in book and periodical production. [bio]Alexis Easley is Professor of English at the University of St. Thomas in St. Paul, Minnesota. She is the author of First-Person Anonymous: Women Writers and Victorian Print Media, 1830-70 (2004) and Literary Celebrity, Gender, and Victorian Authorship, 1850-1914 (2011). She has also co-edited four books, most recently Women, Periodicals, and Print Culture in Britain, 1830s-1900s, with Clare Gill and Beth Rodgers (2019).

This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of revolutionary change, 1832 1860.

This study examines literary celebrity in Britain from 1850 to 1914. Through lively analysis of rare cultural materials, Easley demonstrates the crucial role of the celebrity author in the formation of British national identity. As Victorians toured the homes and haunts of famous writers, they developed a sense of shared national heritage. At the same time, by reading sensational accounts of writers' lives, they were able to reconsider conventional gender roles and domestic arrangements. As women were featured in interviews and profiles, they were increasingly associated with the ephemerality of the popular press and were often excluded from emerging narratives of British literary history, which defined great literature as having a timeless appeal. Nevertheless, women writers were able to capitalize on celebrity media as a way of furthering their own careers and retelling history on their own terms. Press attention had a more positive effect on men's literary careers since they were expected to assume public identities; however, in some cases, media exposure had the effect of sensationalizing their lives, bodies, and careers. With the development of proto-feminist criticism and historiography, the life stories of male writers were increasingly used to expose unhealthy domestic relationships and imagine ideal forms of British masculinity. The first section of Literary Celebrity explores the practice of literary tourism in Victorian Britain, focusing specifically on the homes and haunts of Charles Dickens, Christina Rossetti, George Eliot, Elizabeth Barrett Browning, and Harriet Martineau. This investigation incorporates analysis of fascinating cultural texts, including maps, periodicals, and tourist guidebooks. Easley links the practice of literary tourism to a variety of cultural developments, including nationalism, urbanization, spiritualism, the women's movement, and the expansion of popular print culture. The second section provides fresh insight into the ways that celebrity culture informed the development of Victorian historiography. Easley demonstrates how women were able to re-tell history from a proto-feminist perspective by writing contemporary history, participating in architectural reform movements, and becoming active in literary societies. In this chapter she returns to the work of Harriet Martineau and introduces a variety of lesser-known contributors to the field, including Mary Gillies and Mary Ward. Literary Celebrity concludes with a third section focused on the expansion of celebrity media at the fin de si_cle. These chapters and a brief coda link the popularization of celebrity news to the de-canonization of women writers, the professionalization of medicine, the development of the open space movement, and the institutionalization of English studies. These investigations elucidate the role of celebrity media in the careers of Charlotte Robinson, Marie Corelli, Mary Braddon, Harriet Martineau, Thomas Carlyle, Ernest Hart, and Octavia Hill.

This book investigates the role of anonymous periodical journalism in the fashioning of women's authorial identities during the Victorian period. Alexis Easley provides a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations - she instead emphasizes t

Investigates the role of anonymous periodical journalism in the fashioning of women's authorial identities during the Victorian period.