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Alice A. Kuzniar critically examines the alternative medical practice of homeopathy within the Romantic culture in which it arose. In The Birth of Homeopathy out of the Spirit of Romanticism, Kuzniar argues that Hahnemann was a product of his time rather than an iconoclast and visionary.
This ambitious and pioneering work rewrites German cinematic history queerly. It shows how, since the Weimar era, German cinema has played a leading role in the innovation of gay and lesbian cinema, with the tantalizing sexual illegibility and gender instability of German films of the 1920s anticipating the queer sensibilities of the 1990s.
New essays exploring the surging field of experimental film in today's Germany and Austria.
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