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An exploration of the use of re-writing by contemporary women writers that reveals a shift from 1960s irony to nostalgia in the twenty-first century. It traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the twenty-first century.
The book takes a hard look at internal developments and class formation in the region and explores the complex dynamics underlying the 'failure' of socialist transformation, demystifying the highly-simplified 'destabilisation' thesis and pointing to some of the problems that forces for change in South Africa itself may have to face in the 1990s.
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