Bøger af Alois Riegl

Der Moderne Denkmalkultus: Sein Wesen Und Seine Entstehung (1903) von Alois Riegl ist ein bahnbrechendes Werk der Kunstgeschichte, das sich mit dem Aufkommen des modernen Denkmalkultus im sp�����ten 19. Jahrhundert auseinandersetzt. Riegl untersucht die historischen, sozialen und kulturellen Faktoren, die zur Entstehung dieses Ph�����nomens beigetragen haben, und analysiert die Auswirkungen auf die Kunst und Architektur der damaligen Zeit. Er argumentiert, dass der moderne Denkmalkultus eine neue Art der Wahrnehmung und Wertsch�����tzung von Kunst und Architektur hervorgebracht hat, die sich von fr�����heren Formen der Kunstbetrachtung unterscheidet. Das Buch ist ein wichtiger Beitrag zur Kunstgeschichte und hat bis heute Einfluss auf die Diskussionen �����ber Denkmalschutz und Kunstpolitik.This Is A New Release Of The Original 1903 Edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

¿Alois Riegl was an Austrian art historian, and is considered a member of the Vienna School of Art History. He was one of the major figures in the establishment of art history as a self-sufficient academic discipline, and one of the most influential practitioners of formalism. In 1883 Riegl wrote his dissertation on the Romanesque Church of St. Jacob, Regensburg (manuscript lost). He joined the staff of the Austrian Museum of Decorative Arts (Institut für Österreichische Geschichtsforchung) and began writing his Habilitation, Die Mittelalterliche Kalenderillustration, in 1889, which examined the Hellenistic tradition in medieval calendar manuscripts. In 1886 he began curatorial training in the Austrian Museum of Art and Industry, succeeding another Thausing student, Franz Wickhoff, in 1887 working for the next ten years as curator of textiles at the Austrian museum. Riegl's first two books, Altorientalische Teppiche and Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik, 1891 and 1893 respectively, follow from his work in the museum. Even in these first books, his interest in theory as well as an interdisciplinary view of art history was evident. Stilfragen gained Riegl an extraordinarius position at the University of Vienna in 1894. He continued his interest in common art objects-what were then considered minor arts-in his next book, Volkskunst, Hausfleiss und Hausindustrie, 1894, which employed economic theory in constructing their history. In 1894 and 1895 he began lecturing on baroque art, a period still largely viewed as decadent, ushering in (together with the work of Cornelius Gurlitt) a new evaluation of the stylistic period. At Vienna, he and Wickhoff formed what came to be known as the (first) Vienna school of art historical method. For more, see The Dictionary of Art Historians, arthistorians.info.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""Der Moderne Denkmalkultus: Sein Wesen Und Seine Entstehung"" ist ein Buch des ������sterreichischen Kunsthistorikers Alois Riegl, das erstmals im Jahr 1903 ver������ffentlicht wurde. In diesem Werk untersucht Riegl den modernen Kult um Denkm�����ler und unterscheidet ihn von fr�����heren Ans�����tzen zur Denkmalpflege. Er argumentiert, dass der moderne Denkmalkultus auf einer neuen Wertsch�����tzung von Kunstwerken beruht und dass er sich aus der Verbindung von �����sthetischer und historischer Bedeutung ergibt. Riegl beschreibt auch die Entstehung des modernen Denkmalkultus und untersucht die Rolle von Kunsttheoretikern, Architekten und anderen Akteuren in diesem Prozess. Das Buch gilt als ein wichtiger Beitrag zur Kunstgeschichte und zur Denkmalpflege und hat bis heute Einfluss auf die Diskussionen �����ber die Bedeutung von Denkm�����lern und ihre Erhaltung.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Das Buch ""Die Entstehung Der Barockkunst In Rom"" von Alois Riegl aus dem Jahr 1908 besch�����ftigt sich mit der Entstehung und Entwicklung der Barockkunst in Rom. Riegl untersucht dabei die verschiedenen Stilelemente und Einfl�����sse, die zur Entstehung des Barock f�����hrten, sowie die Bedeutung der r������mischen Kunstszene f�����r die europ�����ische Kunstgeschichte. Dabei geht er auch auf die Rolle der Kirche und des Papsttums ein, die ma�����geblich zur F������rderung der Barockkunst beigetragen haben. Das Buch ist ein wichtiger Beitrag zur Kunstgeschichte und bietet einen tiefen Einblick in die Entstehung und Entwicklung des Barockstils in Rom.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Vollständiger, digital restaurierter Reprint der Originalausgabe von 1893 mit 197 Abbildungen im Text mit exzellenter Auflösung und hervorragender Lesbarkeit.

Vollständiger, digital restaurierter Reprint der Originalausgabe von 1908 mit exzellenter Auflösung und hervorragender Lesbarkeit. Akademische Vorlesungen gehalten von Alois Riegl aus seinen hinterlassenen Papieren. Herausgegeben von Arthur Burda und Max Dvorak.

A survey of the different visual arts within a sweeping conception of the history of culture by a highly influential figure in art history.