Bøger af Andrea Wood

This dinosaur coloring book is a fascinating activity for children! With over 50 amazing scenes to choose from, each page is filled with captivating illustrations of dinosaurs in interesting locations. The pages are printed on one side only, so you can color with markers without worrying about bleed-through.From lush jungles to prehistoric valleys, this book takes young explorers on a thrilling journey through time. The scenes are beautifully detailed, sparking child's imagination and prompting questions about the ancient world of dinosaurs.Overall, this dinosaur coloring book is a fantastic addition to any young paleontologist's collection. It offers endless entertainment, sparks creativity, and provides a wonderful opportunity for learning about these fascinating creatures.

Work From Home, Teach English Online: - Crushes the myth that only college grads can do this - Teaches you how to apply to, and interview for jobs - Lists over 50 hiring companies in categories - Provides personal reviews of over 20 companies - Exclusive Facebook support group for readers - Andrea Wood started teaching English as a Second Language in the late 1990s, and has been teaching ESL online since April of 2017. While exploring the many online ESL job options, she wrote this book, documenting her research and experience.

Monsters continue to fascinate as well as to plague and haunt imaginations. The psychic landscape is peopled with them; the social fabric is woven of them. This persistent, paradoxical repulsion and fascination with monsters and the monstrous begins, however, with causation. With the birth of each new monster comes a particular anxiety about its ability to self-replicate, generally through perceived unnatural means. The cultural imaginary remains obsessed with the origins and genesis of monsters. From whence do monsters come? How are they created and more importantly what is their reproductive potential? Ironically, the very cultural and unconscious fears and anxieties about unnatural reproduction and monstrous progeny give birth to texts that perpetuate the creation and replication of monsters. The link between the monstrous and fears of reproduction are present from early modern narratives through nineteenth-century fears of degeneration, and into contemporary fascination with apocalyptic zombie films and science fiction narratives about genetic engineering, viral pandemics, and trans-species generation. While the incarnation of the monster manifests through different vehicles across these periods and texts, it is clear that, regardless of its form, anxiety is rooted in concerns over its fecundity its ability to infect, to absorb, to replicate. Much has been written about gender and the monstrous, but sustained engagement with textual manifestations of cultural and unconscious fears and anxieties about unnatural reproduction has been limited. This book expands the current discourse on the monstrous reproductive potential of bodies as well as minds from a more interdisciplinary and transhistorical framework. While scholarly interest in monsters and the monstrous is certainly not new, studies on monstrous reproduction and birth have tended to be either discipline or period specific, and many are now dated. Drawing from diverse interdisciplinary perspectives in film and media studies, literary studies, history, medicine and women s and gender studies, Unnatural Reproductions and Monstrosity builds upon pre-existing work while engaging more directly with monstrous progeny, as well as with unnatural reproduction(s), which threaten to eclipse the future, cast uncertainty on the present, and reimagine the past. Ultimately, then, the primary contribution of this book lies not only with its extensive treatment of reproductive monstrosity and unnatural parturition, but with the breadth and intriguing continuity that only a wide lens can provide. This book does not attempt to provide a complete historical assessment or catalog of the enduring cultural fascination with the reproductive origins and potential of monsters. Rather, it provides diverse interdisciplinary and transhistorical perspectives with single unifying theme of unnatural reproduction(s), which is unique to the collection, remaining central to the concept of monstrosity and its evolving narrative incarnations. This interdisciplinary collection spanning the areas of history, literature, medical humanities, and film and media studies explores the transhistorical textual fascination with reproductive monstrosity and unnatural parturition. The collection s four sections provide perspective on hyperbolic and monstrous representations of reproduction and birth that speak to anxieties and fears about gender and sexuality, codified through unnatural manifestations and their progeny. By focusing not only on the effect of the monstrous, but also on its reproduction in a variety of genres and modes from science to cinema, the essays in this collection offer critical insight into enduring questions about the genesis of monsters and their reproductive potential that have long haunted the world and continue to shape many fears about the future. This book analyzes how fears about unnatural reproduction and monstrous offspring and their frequent connections to the feminine have proliferated and propagated across the very texts which are repetitively created and consumed. Unnatural Reproductions and Monstrosity is an important interdisciplinary book for university library collections and scholars working in women s and gender studies, film and media studies, history, literature, and medical humanities.

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