Bøger af Andrew P Partington

There is nothing quite like this catchy children's song if you are a fan of the King of all the Dinosaurs, the legendary Rex, Rex Tyrannosaurus Rex. Written by Andrew P Partington, a composer with a lot of experience writing music for children. His orchestral works have been performed professionally. He has written and arranged pieces for many different ensembles. He is also an author and playwright and has written nine musicals for children and six for adults, as well as four detective novels and about fourteen fantasy novels under a pseudonym. He creates the illustrations for his books as well. It is lucky he doesn't have anything much else to do.

In this book are the Eb parts. These parts would be suitable for the following common instruments: Alto and Baritone Saxophone Eb Clarinet Eb Trumpet Tenor Horn (Called the Alto Horn in the US) Contrabass Saxophone Eb Tuba 1) Eb Melody Parts: The Eb Melody parts are the same as the main melody part. ! 2) Eb Instrument 1: This is the Instrument 1 part - some fairly difficult countermelodies. 3) Eb Instrument 2: Instrument 2 part - some fairly difficult countermelodies, but slightly easier than Instrument 1. 4) Eb Middle (Viola) parts: These are the viola parts, basically, transposed for any Eb instrument that can play them in the middle register. 5) Eb Treble clef Bass parts: These are for Eb players on low instruments (Tenor Horn, Eb Tuba, Bari Sax, etc) who wish to play the bass parts, who read tr!eble clef. !

In this book are the Bb parts for the Worship Jesus in Song Songbook Book I. These parts would be suitable for the following instruments: Bb Trumpet Bb Clarinet Tenor and Soprano Saxophone Baritone Horn Euphonium (treble clef) Tuba (treble clef) (Bass parts for Bb Instruments are included) Trombone (treble clef) Bass Clarinet 1) Bb Melody Parts: The Bb Melody parts are the same as the main melody part. 2) Bb Instrument 1: This is the Instrument 1 part - some fairly difficult countermelodies. Note that the last two rounds (Number 44 and 45) are not included - they would simply be the same as the melody parts, so don't need to be included. 3) Bb Instrument 2: Instrument 2 part - some fairly difficult countermelodies, but slightly easier than Instrument 1. As in Bb Instrument 1, note that the last two rounds (Number 44 and 45) are not included. 4) Bb Treble clef Bass parts: These are for Trombone or Tuba or Euphonium players who wish to play the bass parts, who read treble clef. 5) Bb Treble clef Middle (Viola) Parts: Viola parts transposed for any instrument who can play them in the middle register.

1) Viola Clef Melody Parts: The Viola Melody parts are the same as the main melody part. 2) Viola parts: This is the Viola part of the String Arrangements. Introduction In this book are the Viola parts. 3) Viola parts on Bass: These are the lowest parts of the arrangements, the bottom note, made for Viola clef. The treble clef parts also should be able to be played on Viola.

In this book are the parts in C for treble clef. Instruments that could play these parts are: Flute, Violin, Oboe, Marimba, Xylophone, Trumpet in C, etc. etc. C Melody Parts: The C Melody parts are the same as the main melody part. C Instrument 1: This is the Instrument 1 part - some fairly difficult countermelodies. C Instrument 2: Instrument 2 part - some fairly difficult countermelodies, but slightly easier than Instrument 1. Violin 1: Violin I parts. Violin 2: Violin 2 parts. Violin 3 (Viola): Violin 3 parts, actually viola parts transposed into a suitable register for a violin to play.

One of the main purposes of music in church for which it is under-utilised is to have an easy way of learning sections of scripture. So many of these songs are translations or paraphrases of sections from the letters of Paul or the sayings of Jesus, and various other parts of the Bible. I have written quite a few of these songs as rounds but it is not necessary to play them as rounds, they all work quite well as worship songs in their own right. There are sad songs as well as happy ones. The Bible contains many sad psalms, laments, and passages expressing grief as well as consolation. Christian worship ought to acknowledge the full range of human emotions: while joy is the predominant note in the New Testament, even Paul acknowledges that the Christian life is not always a bed of roses. He says in 2 Corinthians 1:8, "We do not want you to be uninformed, brothers and sisters, about the troubles we experienced in the province of Asia. We were under great pressure, far beyond our ability to endure, so that we despaired of life itself." But the predominant note is joy, I hope, in the hope we all share, who believe in the resurrection of Jesus Christ, and our own future resurrection when the new heavens and the new earth come to be.

This version of Book I of Worship Jesus in Song is for the worshippers or congregation in a church, and as a simple, compact version of the book for guitarists or anyone else who uses chords to play the songs. Many of these songs are settings of passages from the Bible. Some of them are rounds, most of the songs will be easily singable by anyone, a few of them are complicated and only a worship team or choir that practices regularly will be able to sing them. (For more detailed instructions, refer to introduction in the Choir and Accompaniment book, or the SA(A) book.) There are sad songs as well as happy ones. In fact, the Bible contains many sad psalms, laments, and passages expressing grief as well as consolation, and Christian worship ought to acknowledge the full range of human emotions: while joy is the predominant note in the New Testament, even Paul acknowledges that the Christian life is not always a 'bed of roses' in 2 Corinthians 1:8, "We do not want you to be uninformed, brothers and sisters, about the troubles we experienced in the province of Asia. We were under great pressure, far beyond our ability to endure, so that we despaired of life itself." But every sad psalm in the Bible also contains some element of comfort, so also with these. But the predominant note is joy and thankfulness, in the hope all share who believe in the resurrection of Jesus Christ, and our own future resurrection when the new heavens and the new earth come to be.

In this book are the Bass melody parts, the Double Bass/Bass guitar parts, the Cello parts, and the Viola parts in Bass clef. 1) Bass Melody Parts: the Bass melody parts are the melodies of all the songs, exactly as they are in the Melody book, only notated an octave lower, in bass clef. 2) Double Bass Parts: The Double Bass parts have a suitable range for Double Bass and Bass Guitar, i.e. lowest note written low E below the bass stave. In most of the arrangements except for a few of the more sophisticated string arrangements, the Double Bass plays the bottom notes of the arrangement. 3) Cello Parts: The Cello parts have a suitable range for Cello, i.e. lowest note low C below the bass stave, a range that would also suit bassoon. In most of the arrangements except for a few of the more sophisticated string arrangements, the Cello plays the bottom notes of the arrangement. 4) Viola Parts in Bass clef: These have been included in case there are two Cellos available and no Viola, or in case there is another instrument that reads bass clef available to play the Viola parts. These are the middle parts in the arrangement.

In this book are the parts for transposing instruments in the key of F. These parts are suitable for the French Horn. However, the Cor Anglais may be able to play some of them as well. F Melody Parts: The F Melody parts are the same as the main melody part. F Instrument 1: This is the Instrument 1 part - some fairly difficult countermelodies. F Instrument 2: Instrument 2 part - some fairly difficult countermelodies, but slightly easier than Instrument 1. Instrument in F Middle (Viola) Parts: Viola parts transposed into a suitable register. Instrument in F Bass Parts: In Bass clef mostly, suitable for French Horn. Generally the French Horn is probably better on the melody as it is a very prominent instrument in most ensembles. It will also work well on the sustained notes in the middle parts.

One of the main purposes of music in church for which it is under-utilised is to have an easy way of learning sections of scripture. Many of these songs are my own translations or paraphrases of sections from the letters of Paul or the sayings of Jesus, and various other parts of the Bible, including the Psalms and some sections from Isaiah that prophesy Jesus' coming. I have written quite a few of these songs as rounds but it is not necessary to play them this way every time, they all work quite well as worship songs in their own right. There are sad songs as well as happy ones. The Bible contains many sad psalms, laments, and passages expressing grief as well as consolation, and I believe Christian worship ought to acknowledge the full range of human emotions: while joy is the predominant note in the New Testament, even Paul acknowledges that the Christian life is not always a bed of roses. He says in 2 Corinthians 1:8, "We do not want you to be uninformed, brothers and sisters, about the troubles we experienced in the province of Asia. We were under great pressure, far beyond our ability to endure, so that we despaired of life itself." But the predominant note is joy, I hope, in the hope we all share, who believe in the resurrection of Jesus Christ, and our own future resurrection when the new heavens and the new earth come to be.