Bøger af Andrew Sutherland

This is the second book in the series The Girl That Care Forgot. Al McNair, a PI from California, must plan the rescue of a woman being held captive in the Bahamas. In the process of planning the rescues, Al encounters forces, both domestic and foreign, that conspire to stop his progress and threaten his very existence.

In this crime/ detective novel, Al McNair is hired to find a missing girl. The trail leads him to New Orleans, criminal activity, and Death. This fast-paced, crime thriller takes place in the deep south of the United States. Full of action, suspense, romance, and mystery, this international thrill ride does not disappoint!

This is the third and final book of The Girl That Care Forgot where we finally find the fate of Lisa and ultimately Al himself.

A crime- thriller, The Girl That Care Forgot- Book 1- Disparu is about the disappearance of a young woman from the fast and friendly streets of New Orleans, The City That Care Forgot. Al McNair, an ex-college professor turned private investigator must find Dee-Dee's daughter Liza before she disappears forever into the world of dark shadows, human trafficking, and death.

In Queer Opera, Andrew Sutherland argues that operas often reflect characteristics of the society and epistime in which they are written but that they also do much more than that; operas have agency. LGBTQ+ social, cultural, and political issues have become an increasingly defining feature of twenty-first century life, and as agency for change, composers have turned to opera to underscore the lived queer experience. Sutherland posits that operas written before the sexual revolution of the mid-twentieth century utilized a codified language both in the libretto and score, communicating with those observers open to a queer reading. He explores the growing trend of local, small-scale, independent opera companies seen around the world towards the end of the first decade of the twenty-first century and argues that this has emboldened queer artists to reclaim opera as a queer space. He further argues that for several centuries, opera houses have been safe havens for queer composers, librettists, performers, and designers, and yet it is only relatively recently that any serious attempt at queer representation in operatic works has begun to be realized. In this book, he examines narratives and music of selected operas to walk through queer history in Western societies and shines a light on how many of opera's well-known characters, based on historical figures who represent pivotal moments in the queer story, are responsible in a variety of ways for the continued struggle for queer acceptance.

This book provides valuable insights into the millennial generation and how college students, faculty, and staff can effectively communicate and understand one another.