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This book discusses medieval Rome, adorned as it was by "Byzantine" art, monuments, and culture, as a city that defined both East and West.
A millennia of art history condensed into 20 accessible chapters
This study focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries. The author analyzes the experimentation and innovation of Christian iconographies and the artistic vibrancy of early medieval Rome before it became divided between East and West.
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