Bøger af Art Spiegelman

-

The Complete MAUS is a captivating masterpiece by the renowned author, Art Spiegelman. Published in 2003 by Penguin Books Ltd, this book has left an indelible mark in the literary world. The genre of this book is a unique blend of biography, memoir, and graphic novel, presenting a deeply personal and riveting story. The Complete MAUS is not just a book but a journey that takes you through the heart-wrenching experiences of the author's father during the Holocaust. Art Spiegelman's storytelling is both powerful and poignant, making this book a must-read. Penguin Books Ltd, a leading publisher, has beautifully put together this book, further enhancing the reading experience. This English language edition is a testament to Art Spiegelman's literary genius and is sure to leave a lasting impact on every reader.

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

Through the magic of words and pictures leaps a book that's not only playful as a puppy -- it is a puppy! Honest..

«LA GENTE SEGUÍA RECIBIENDO HERIDAS DE BALA Y MURIENDO, COMO SIEMPRE, AUNQUE NO SIEMPRE POR ESE ORDEN'. En un mundo que cambia a la velocidad de un juego de realidad virtual, un simple policía de a pie debe lidiar con todas las formas de violencia imaginables que produce una sociedad entregada a los excesos más variados: robots de reparto que se enfrentan a peatones, proveedores de drogas y drones ejecutores de presuntos terroristas. ¿Hay espacio para las emociones humanas en un universo tan tóxico... que se parece demasiado al nuestro? Un policía capaz de empatizar con estas circunstancias ¿no se convertirá en un peligro para el funcionamiento del sistema? A medio camino entre el relato de género y la distopía urbana, Street Cop sitúa la condición humana en el centro de una investigación policial insólita. ENGLISH DESCRIPTIONIs there room for human emotions in this toxic universe... that looks too much like ours? Robert Coover's detective novelette, STREET COP, is set in a dystopian world of infectious "living dead," murderous robo-cops, aging street walkers, and walking streets. With drawings by Art Spiegelman, this short tale scrutinizes the arc of the American myth, exploring the working of memory in a digital world, police violence and the future of urban life. STREET COP is provocative and prophetic, asking us to interrogate the line between a condemnable system and a sympathetic individual.

Now in paperback, "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal). "The power of Spiegelman's story lies in the fine detail of the story and the fact that it is related in comic-strip form".--San Francisco Examiner. New York Times 1991 "Editor's Choice".

This legendary 1978 collection of comics by Art Spiegelman, Pulitzer Prize-winning author of the best-selling Maus, presents the seminal early works that changed how comics are made and appreciated today—now with a new Afterword by the author.“Some of the smartest criticism of the comics genre ever rendered.” —NPRInnovative, serious, funny, and many decades ahead of its time, Breakdowns is offered here in its entirety: the long-sought-after collection of the artist''s comics of the 1970s, along with an introduction almost as long as the book it introduces—and just as autobiographically intimate and experimentally daring.   At once the story of an artist and of his medium, Breakdowns alters the terms of what can be accomplished in a memoir.

Jack just got a new toy. Is it a silly toy, a scary toy... or something else entirely?

Now in paperback, "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal). "The power of Spiegelman's story lies in the fine detail of the story and the fact that it is related in comic-strip form".--San Francisco Examiner. New York Times 1991 "Editor's Choice".

A richly illustrated book in which leading cultural critics, authors, and academics reflect on the radical achievement and innovation of Art Spiegelman's Pulitzer Prize-winning masterpiece Maus'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal___________________________________________________________________________It is hard to overstate Art Spiegelman's effect on postwar American culture. The Pulitzer Prize-winning author is one of our most influential contemporary artists, and his masterpiece Maus has shaped the fields of literature, history, and art. Collecting responses to the work that confirm its unique and terrain-shifting status, Maus Now is a new collection of essays that sees writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approaching the complexity of Maus from a wide range of viewpoints and traditions. Offering translations of important French, Hebrew, and German essays on Maus for the first time, this collection edited by American literary scholar Hillary Chute - an expert on comics and graphic narratives - assembles the world's best writing on this classic work of graphic testimony. ___________________________________________________________________________'The first masterpiece in comic book history' The New Yorker on Maus'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik on Maus'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman on Maus

A new children's picture book from the Pulitzer Prize-winning cartoonist. Ages: 4+.

"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord."-- The New York TimesArt Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets.Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

The paperback boxed set of the Pulitzer Prize-winning graphic novel in its original two-volume format, re-released to include a sixteen page booklet designed by the artist. Acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal), Maus is considered "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art-widely hailed as the greatest graphic novel ever written-Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day.Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord." - The New York Times Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets. Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

This comics anthology collects some of the best creator-owned work of some of the very best mid-century cartoonists: Ditko, Frazetta, Kurtzman, Wood, and many more.

***NATIONAL JEWISH BOOK AWARD WINNER***Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes-Why the Holocaust? Why mice? Why comics?-and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

"Designed with Mr. Spiegelman's help, [Co-Mix] has the tall, narrow proportions of Raw...its images form a chronological sampling of Mr. Spiegelman's extraordinary imagination, including his precocious early work, underground comics, preparatory notes and sketches for Maus, indelible covers for The New Yorker, lithographic efforts and much else."-New York TimesIn an art career that now spans six decades, Art Spiegelman has been a groundbreaking and influential figure with a global impact. His Pulitzer Prize-winning holocaust memoir Maus established the graphic novel as a legitimate form and inspired countless cartoonists while his shorter works have enormously expanded the expressive range of comics. Co-Mix: A Retrospective of Comics, Graphics, and Scraps is a comprehensive career overview of the output of this legendary cartoonist, showing for the first time the full range of a half-century of relentless experimentation. Starting from Spiegelman's earliest self-published comics and lavishly reproducing graphics from a host of publications both obscure and famous, Co-Mix provides a guided tour of an artist who has continually reinvented not just comics but also made a mark in book and magazine design, bubble gum cards, lithography, modern dance, and most recently stained glass. By showing all facets of Spiegelman's career, the book demonstrates how he has persistently cross-pollinated the worlds of comics, commercial design, and fine arts. Essays by acclaimed film critic J. Hoberman and MoMA curator and Dean of the Yale University School of Art Robert Storr bookend Co-Mix, offering eloquent meditations on an artist whose work has been genre-defining.

Includes various sketches, rough and alternate drafts, family and reference photos, notebook and diary entries and the transcript of the author's interviews with his father Vladek as well as a long interview with the author himself. This book also includes a DVD packed with extra images, video and commentary.