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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Originally published in 1938, this book provides a highly informative guide to the medieval church architecture of France. The object of the book is to stimulate interest, rather than offering advanced instruction. This is a highly accessible text that will be of value to anyone with an interest in ecclesiastical buildings and the medieval period.
This book, first published in 1931, is a comprehensive textbook on the development of French medieval sculpture to appear in the English language. Detailed yet accessible, it was designed to 'cater for the intelligent tourist as well as the student'. Numerous photographs are contained throughout, the majority of which were taken by the author during various church visits.
First published in 1951, as the revised edition of a 1935 original, this volume provides a historical study of English sculpture during the medieval period. This is a fascinating book that will be of value to anyone with an interest in religious art and the development of medieval sculpture.
First published in 1940, this was the first comprehensive book about British alabaster tombs. It provides a detailed account of the surviving alabaster monuments, from the earliest examples of around 1330 through to those created at the time of the Reformation.
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