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This classic treatise on counterpoint is an essential resource for music students and scholars, offering clear explanations and practical exercises that illuminate the principles of this challenging art form.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Haupt's Theory of Counterpoint, Fugue, and Double Counterpoint is a comprehensive guide to the principles and techniques of musical composition, specifically focused on the genres of counterpoint, fugue, and double counterpoint. The book was prepared by August Haupt expressly for the Royal Institute for Church Music in Berlin, Prussia, and was first published in 1876.The book begins with an introduction to the basics of music theory, including the principles of melody, harmony, and rhythm. From there, Haupt delves into the intricacies of counterpoint, providing detailed explanations of the various types of counterpoint and their applications in composition.The second section of the book is devoted to fugue, a complex form of composition that requires a thorough understanding of counterpoint. Haupt provides a step-by-step guide to composing a fugue, including discussions of subject, countersubject, exposition, development, and other important elements.The final section of the book is devoted to double counterpoint, a technique that involves writing two melodies that can be played either together or separately, depending on the desired effect. Haupt provides detailed explanations of the different types of double counterpoint, as well as examples of how they can be used in composition.Throughout the book, Haupt provides numerous musical examples and exercises to help readers develop their skills and understanding of the principles of musical composition. Written in a clear and concise style, Haupt's Theory of Counterpoint, Fugue, and Double Counterpoint remains a valuable resource for composers, music students, and anyone interested in the art of musical composition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
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