Bøger af Benjamin Griffith Brawley

This Is A New Release Of The Original 1921 Edition.

Our country is still in the midst of the greatest war in the history of mankind. Already our sons and brothers have died in Europe. While the sacrifice is great, and each day comes home more closely to us, there must be no ceasing of the conflict until victory is assured. The principles of Christ must prevail, and democracy must be given some chance in the world. Because we believe this, because we love our country, because we wish to see our country truly noble and great, I am once more asking your attention to the vital subject of the place of the Negro in our American life.

IN his lecture on "The Poetic Principle," in leading down to his definition of poetry, Edgar Allan Poe has called attention to the three faculties, intellect, feeling, and will, and shown that poetry, that the whole realm of aesthetics in fact, is concerned primarily and solely with the second of these. Does it satisfy a sense of beauty? This is his sole test of a poem or of any work of art, the aim being neither to appeal to the intellect by satisfying the reason or inculcating truth, nor to appeal to the will by satisfying the moral sense or inculcating duty. The standard has often been criticised as narrow; yet it embodies a large and fundamental element of truth. If in connection with it we study the Negro we shall find that two things are observable. One is that any distinction so far won by a member of the race in America has been almost always in some one of the arts; and the other is that any influence so far exerted by the Negro on American civilization has been primarily in the field of aesthetics. To prove the point we may refer to a long line of beautiful singers, to the fervid oratory of Douglass, to the sensuous poetry of Dunbar, to the picturesque style of DuBois, to the mysticism of the paintings of Tanner, and to the elemental sculpture of Meta Warrick Fuller. Even Booker Washington, most practical of Americans, proves the point, the distinguishing qualities of his speeches being anecdote and brilliant concrete illustration.

The work of the Fireside Schools was begun in 1884 by Joanna P. Moore, who was born in Clarion County, Pennsylvania, September 26, 1832, and who died in Selma, Alabama, April 15, 1916. For fifty years Miss Moore was well known as an earnest worker for the betterment of the Negro people of the South. Beginning in the course of the Civil War, at Island No. 10, in November, 1863, she gave herself untiringly to the work to which she felt called. In 1864 she ministered to a group of people at Helena, Arkansas. In 1868 she went to Lauderdale, Mississippi, to help the Friends in an orphan asylum. While she was at one time left temporarily in charge of the institution cholera broke out, and eleven children died within one week; but she remained at her post until the fury of the plague was abated. She spent nine years in the vicinity of New Orleans, reading the Bible to those who could not read, writing letters in search of lost ones, and especially caring for the helpless old women that she met. In 1877 the Woman's American Baptist Home Mission Society gave her its first commission.

The Negro in Literature and Art: In the United States is a comprehensive analysis of the representation of Black people in American literature and art. Written by Benjamin Griffith Brawley, a prominent African American scholar and historian, this book explores the historical and cultural context of Black artistic expression and examines the ways in which Black people have been portrayed in literature and art throughout American history.Brawley's analysis covers a wide range of topics, including the portrayal of Black people in slave narratives, the Harlem Renaissance, and contemporary Black literature and art. He also discusses the ways in which Black artists and writers have used their work to challenge stereotypes and promote social justice.Throughout the book, Brawley emphasizes the importance of understanding the role of race in American culture and the need for Black people to have a voice in shaping their own representation in literature and art. The Negro in Literature and Art: In the United States is a seminal work in the field of African American studies and a valuable resource for anyone interested in the history of Black artistic expression in America.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1921 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""A Short History Of The American Negro"" by Benjamin Griffith Brawley is a comprehensive account of the African American experience in the United States from the time of slavery to the early 20th century. The book provides a detailed overview of the struggles and achievements of African Americans throughout American history, including the Civil War, Reconstruction, and the Civil Rights Movement. Brawley examines the contributions of prominent African American figures such as Booker T. Washington, W.E.B. Du Bois, and Frederick Douglass, as well as lesser-known individuals who played important roles in the fight for equality. The book also explores the impact of slavery on African American culture, including music, literature, and art. Overall, ""A Short History Of The American Negro"" is a valuable resource for anyone interested in understanding the complex and often painful history of African Americans in the United States.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In the following pages an effort is made to give fresh treatment to the history of the Negro people in the United States, and to present this from a distinct point of view, the social. It is now forty years since George W. Williams completed his History of the Negro Race in America, and while there have been many brilliant studies of periods or episodes since that important work appeared, no one book has again attempted to treat the subject comprehensively, and meanwhile the race has passed through some of its most critical years in America. The more outstanding political phases of the subject, especially in the period before the Civil War, have been frequently considered; and in any account of the Negro people themselves the emphasis has almost always been upon political and military features. Williams emphasizes this point of view, and his study of legal aspects is not likely soon to be superseded. A noteworthy point about the history of the Negro, however, is that laws on the statute-books have not necessarily been regarded, public opinion and sentiment almost always insisting on being considered. It is necessary accordingly to study the actual life of the Negro people in itself and in connection with that of the nation, and something like this the present work endeavors to do. It thus becomes not only a Social History of the race, but also the first formal effort toward a History of the Negro Problem in America.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Immediately after the war legislation enacted in the South made severe provision with reference to vagrancy. Negroes were arrested on the slightest pretexts and their labor as that of convicts leased to landowners or other business men. When, a few years later, Negroes, dissatisfied with the returns from their labor on the farms, began a movement to the cities, there arose a tendency to make the vagrancy legislation still more harsh, so that at last a man could not stop work without technically committing a crime. Thus in all its hideousness developed the convict lease system.-from "The Negro in the New South"This 1921 volume offers a new examination of the history of black people in America in light of the new flowering of cultural interest-on the part of whites as well as blacks-in the post-World War I period. A highly readable and tremendously informative foundational overview of the grand and terrible story of Africans in the New World, this work explores:. the role of the Negro in the Spanish exploration of America. the development of the slave trade. the difficult social positions of the Indian, the mulatto, and the free Negro. early slave insurrections. the Negro in the American Revolution. first steps toward abolition. Negroes in the West. the impact of Nat Turner and the Amistad case. Sojourner Truth and the influence of the women's suffrage movement. the Civil War and Emancipation. the problems of enfranchisement. Mob violence and election troubles at the turn of the 20th century. Negro migration around America. the place of the Negro in American life. and much more.African-American author and educator BENJAMIN GRIFFITH BRAWLEY (1882-1939) wrote extensively on black culture, including Women of Achievement (1919).