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  • af Benjamin Wilke
    245,95 kr.

    Source Books in Architecture No. 15: Johnston Marklee includes conversations with the architects and documentation of a range of built and unbuilt works. As the Baumer Visiting Professors at The Ohio State University, Sharon Johnston and Mark Lee engage with students at the school in conversations that range from developing a critical practice to idea formation with respect to projects to the pragmatics of working in the field or architecture today. Documentation of work includes drawings, diagrams, photos, and models. Source Books in Architecture is a product of the Herbert Baumer seminars, a series of interactions between students and seminal practitioners at the Knowlton School at The Ohio State University. Following a significant amount of research, students lead discussions that encourage the architects to reveal their architectural motivations and techniques.

  • - Rem Koolhaas, OMA + AMO / Spaces for Prada
    af Benjamin Wilke
    467,95 kr.

    Source Books in Architecture No.14 contains project documentation from the OMA and Prada archives, transcripts from Koolhaas' conversations with students at the Knowlton School at The Ohio State University, and commentary and critique from architects, critics, and theorists.

  • - Grace Farms; Source Books in Architecture
    af Ryue Nishizawa & Benjamin Wilke
    337,95 kr.

    Ryue Nishizawa was the Herbert Baumer Distinguished Visiting Professor at the Knowlton School of Architecture during the 2016-17 academic year. Ryue Nishizawa / SANAA : Grace Farms is the thirteenth book in the Source Books in Architecture series.

  • - The Baumer Lectures
    af Benjamin Wilke
    317,95 kr.

    This book covers the work of four of Neil Denari's projects: Sotoak Extension in Al Paso, Texas, the HL-23 Building in New York, the Keelung Harbor in Taiwan, and the Alan Voo House in Los Angeles.

  • - Taiyuan Museum of Art
    af Scott Cohen & Benjamin Wilke
    312,95 kr.

    A study of a pioneering design that will revolutionise the way we occupy space in galleries and museums, and including a number of interviews with architects, students and critics who have been involved in the project.

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