Bøger af Bent Sørensen

What does Sigmund Freud have to do with magic and cartomancy? Surprisingly much, Bent Sørensen argues, while looking at five key Freudian insights and applying them to the ways of and reasons for reading cards and performing magic.

Hitherto, there has been no book that attempted to sum up the breadth of Umberto Ecös work and it importance for the study of semiotics, communication and cognition. There have been anthologies and overviews of Ecös work within Eco Studies; sometimes, works in semiotics have used aspects of Ecös work. Yet, thus far, there has been no overview of the work of Eco in the breadth of semiotics. This volume is a contribution to both semiotics and Eco studies. The 40 scholars who participate in the volume come from a variety of disciplines but have all chosen to work with a favorite quotation from Eco that they find particularly illustrative of the issues that his work raises. Some of the scholars have worked exegetically placing the quotation within a tradition, others have determined the (epistemic) value of the quotation and offered a critique, while still others have seen the quotation as a starting point for conceptual developments within a field of application. However, each article within this volume points toward the relevance of Eco -- for contemporary studies concerning semiotics, communication and cognition.

Denne bog består af små intellektuelle lynbiografier af danske forskere/filosoffer, der på den ene eller den anden måde beskæftiger sig eller har beskæftiget sig med menneskelig betydningsdannelse, med tegn, fortolkning af tegn, tegnprocesser i sproget, i hjernen, i bevidstheden, i kulturen, i naturen. Hensigten med bogen er for det første, at tegne en art nogenlunde dækkende landkort over den semiotiske forskning i Danmark, nu, i de seneste 40 år, og en smule gennem tiden. Læseren vil altså få konkret indblik i, hvilke emner man som semiotiker kan forholde sig til, hvilke metoder man kan eller har taget i anvendelse til den ende, samt hvilke forskellige teoretiske fronter og uenigheder der kan dannes i den forbindelse. Dernæst er det selvfølgelig også meningen med bogen, at man som læser vil kunne danne sig et hurtigt og nyttigt overblik over en given teoretikers arbejde og interesser gennem tiden. Man får en art lynkursus i vedkommendes intellektuelle liv og beskæftigelser.

From First to Third via Cybersemiotics is a festschrift made to honour the great scholarly work of Professor Søren Brier.The festschrift contains articles written by international scholarswithin academic fields such as: semiotics, library and informationscience, 2. order cybernetics, ethics in science, metaphysics.All these different yet related topics show the diversity and depth of Brier’s research.Søren Brier is professor in Semiotics of Information, Cognition and Communitation Science with special responsibilities at Department of International Culture and Communitation Studies,CBS (Copenhagen Business School). He is affiliated with Center for Language, Cognition and Mentality (LaCoMe).

Transatlantic studies is an emerging field within literary, cultural and political studies. Its interdisciplinary scope, a feature it shares with other area studies fields, makes it particularly apt for AAU scholars to engage with. All European languages and cultures have significantly been shaped by their long history of interaction across the Atlantic Ocean, often antagonistically defined (as in wars and trade conflicts), but often also collaboratively defined (indeed, as in wars and trade alliances). The perspective is equally rich when seen from the Americas, where the relationship with Europe, can be variously regarded as colonial/postcolonial, or as pay-back/writing back to the ancestral cultures.This volume sets out to investigate specific aspects of Transatlantic cultural and/or textual exchanges in any period and mode the authors see fit. We have accepted both humanities approaches and textually focused social sciences approaches. The broad scope of the volume is indeed one of its essential strengths, as all readers of it will be sure to encounter new subjects areas and insights. The aim is therefore to be inclusive rather than exclusive in this book, allowing colleagues from all programs within our broad department to contribute papers from their core research areas, whether these chiefly fall within English, Spanish, German, French or other European language areas – or whether they are chiefly linked to one or another of the Americas.The volume is, appropriately enough, conceived as a transatlantic collaborative endeavor in its own right, as it features contributions from both AAU and Brenau University, Georgia, USA – one of our exchange partner universities.

Cultural Text Studies is a research project initiated by the Department of Languages, Culture and Aesthetics at Aalborg University. The present intro­duct­ory volume launches a series of themed monographs which will be edited by researchers at the Dept., occasionally aided by friends and associates from other programmes. The purpose of the series is to be a forum for the publication of results of research in the broadly defined area of cultural text.This interdisciplinary field of research springs from an emergent interest in both studying texts culturally and in studying culture as text. Thus it is cultural text studies in the sense that the object of study consists of all readable cultural phenomena which are regarded as texts in a much more broadly defined sense than in the traditional field of literary studies. Yet it is also cultural text studies, in the sense that, while the approach is cultural as opposed to, say, formalist, the work often entails an intense engagement with texts and close readings thereof. CTS – An Introduction is a volume authored by present and past members of the English programme’s teaching staff in the fields of culture, literature and media studies. The essays range widely in terms of the period, genre, and medium of the texts investigated. Focus areas include Victorian literature and art; high modernism, especially approached from the point of view of a centre/margin discourse; and finally postmodernist aesthetics and its embedded move from literary into cultural studies, as witnessed by essays on world music, shoes, Hollywood, the post-ironic, the de-territorialized, and the post-human condition as cultural texts.