Bøger af Bertolt Brecht

"Svendborgdigte" blev skrevet under Bert Brechts eksil fra nazityskland 1933-39, hvor han boede i Karen Michaëlis hus i Svendborg. Digtene har ikke før i sin helhed været udgivet på dansk, men foreligger derimod på alverdens andre sprog. Den udkommer i forbindelse med en dramatisering af digtene på BaggårdTeatret.Med tysk og dansk tekst.Bertolt Brecht (1898-1956) er i Danmark mest kendt for sin dramatiske, men internationalt regnes han også for at være en stor lyriker – på linje med Goethe, Schiller og Heine.

Brecht arbejdede på sit ufuldendte drama, Egoistens Johann Fatzers undergang fra 1926 og frem til sin død. I 1978 fik Heiner Müller adgang til det store tekstmateriale og stod bag denne "sceneudgave", som er en usædvanlig kompleks undersøgelse af politisk radikalitet, modstandskamp og terrorisme.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

These six plays represent the best and most humorous of Brecht's shorter works. The Jewish Wife is from the Fear and Misery in the Third Reich cycle of one-act plays, which, along with In Search of Justice and The Informer, chromicles the hardships of life in Nazi Germany.

TUTOR

Edward II is, in a sense, Bertolt Brecht's only tragedy. Based on Christopher Marlowe's classic of the same name, it departs from its source as widely as The Threepenny Opera departs from Gay's Beggar's Opera. Brecht has made a multitude of technical changes calculated to streamline the play, with a smaller cast and simpler action, and he has created virtually new and totally compelling characters with his extravagant variations on Anne, Edward's queen, and Mortimer, the villain of the piece. Brecht also reinterprets Marlowe's famously homosexual protagonist, creating an Edward initially more crudely homoerotic and ultimately more truly heroic. Brecht's Edward is a hero for the modern era: an existential hero defying a meaningless universe with his courage.

This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo. Also included is "A Short Organum for the Theatre," Brecht's most complete exposition of his revolutionary philosophy of drama. Translated and edited by John Willett, Brecht on Theater is essential to an understanding of one of the twentieth century's most influential dramatists.

Based on John Gay's eighteenth century Beggar's Opera, The Threepenny Opera, first staged in 1928 at the Theater am Schiffbauerdamm in Berlin, is a vicious satire on the bourgeois capitalist society of the Weimar Republic, but set in a mock-Victorian Soho. With Kurt Weill's unforgettable music - one of the earliest and most successful attempts to introduce jazz to the theatre - it became a popular hit throughout the western world.Published in Methuen Drama's Modern Classics series, this edition features extensive notes and commentary including an introduction to the play, Brecht's own notes on the play, a full appendix of textual variants, a note by composer Kurt Weill, a transcript of a discussion about the play between Brecht and a theatre director, plus editorial notes on the genesis of the play.

This book is written in German, writing stories about basic human problems and universally human actions.

Jones has handled Brecht's meters with great skill." -Choice

Huspostil er Bertolt Brechts første trykte digtsamling fra 1927, altså fra før han for alvor blev politisk digter. Men hans indignation, hans hudfletning af samfundsordenen og hans ironi – alene Brechts valg af begrebet Huspostil, der er en kristelig andagtsbog for hjemmet – peger tydeligt i den retning, som vi kender ham i hans senere dramaer og digte. Digtsamlingen foreligger her i en tosproget version – for første gang i sin helhed på dansk ved Niels Brunse, Jon Høyer, Erik Knudsen, Ivan Malinowski og Hans Christian Nørregaard, der også leverer en efterskrift, som sætter værket i perspektiv og viser dets betydning for os i dag.

Features the text in the great controversies over literature and art between thinkers who have become giants of 20th-century philosophy.

The leading scholarly publication on Brecht; volume 43 contains a wealth of articles on diverse topics and a reconstruction of the two-chorus version of The Exception and the Rule.

A wholly revised, re-edited and expanded edition of one of the seminal texts of twentieth century theatre. Featuring new translations, additional texts, illustrations and editorial matter, this is a fullest and clearest account yet of Brecht's thinking on theatre and aesthetics.