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The untold story of the woman who helped to make one of humanity's greatest discoveries - DNA - but who was never given credit for doing so.
In 1962, Maurice Wilkins, Francis Crick, and James Watson received the Nobel Prize, but it was Rosalind Franklin's data and photographs of DNA that led to their discovery.Brenda Maddox tells a powerful story of a remarkably single-minded, forthright, and tempestuous young woman who, at the age of fifteen, decided she was going to be a scientist, but who was airbrushed out of the greatest scientific discovery of the twentieth century.
William Butter Yeats, who some critics feel was the greatest English language poet of our century, led a life of many contradictions. He was Ireland's most revered writer and won the Nobel Prize for Literature. But in his private life, Yeats struggled with passionate, if unrequited, relationships with women and was haunted by the spirits of his ancestors. Renowned biographer Brenda Maddox examines the poet's life through the prism of his personal obsession with the supernatural and otherworldly. She considers for the first time the Automatic Script, the trancelike communication with supposed spirits that he and his much younger wife. Georgie, conducted during the early years of their marriage. Writing with edge, wit, and energy, she finds the essential clues to Yeats's life and work in his unusual relationships with women, most particularly Maude and Iseult Gonne, his wife Georgie, and his rarely discussed mother.
Who was Margaret Thatcher? Her influence on politics is well documented - not least by Lady Thatcher herself. What no one has attempted before this book by award-winning biographer Brenda Maddox, is to present the personal story of the woman who has been described as 'the most significant Englishwoman since Elizabeth I'.Brenda Maddox traces the life of the grocer's daughter from Grantham who became the most successful Conservative Prime Minister of the twentieth century. Unprecedented access to people who knew her throughout her life, (some who have never spoken before) enables the author to paint a fully rounded portrait of a woman who - even after her death - is still both vilified and adored. Through the eyes of her contemporaries we begin to understand this extraordinary woman, whose shadow still falls accross British life.
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