Bøger af Brian McFarlane

A charming and nostalgic memoir by the former and much loved Hockey Night in Canada broadcaster, creator of Peter Puck, and beloved hockey author, Brian McFarlane.

Fred Schepisi is one of the crucial names associated with the revival of the Australian film industry in the 1970s. The Films of Fred Schepisi traces the lead-up to his critical successes in feature filmmaking, via his earlier award-winning success as a producer in advertising commercials in the 1960s and the setting up of his own company.

A close study of the relationship between text and film versions of Great Expectations. Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text.

This is the first book-length study of the most prolific and most critically acclaimed director working in British cinema today. Michael Winterbottom has established himself, and his company, Revolution Films, as a dynamic force in world cinema. -- .

Charts Lance Comfort's career in full -- .

This book explores the legacies of David Lean's Brief Encounter, tracing the classic film's influence on cinema, television, literature and more. -- .

This is a book for those who love British cinema and want to know more about its rise to popularity in the 1940s. The 'quality' films of the decade have been thoroughly explored already, but this book looks at the films the public actually went to see, and provides detailed information on the directors behind them. -- .

This book examines twenty major British films from a 70-year time span, offering a lively account of what has made them valuable and provocative over many viewings. -- .

This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.

Providing a history of the British B film, this book traces the development of the low-budget supporting feature from the 1927 Films Act to the age of television, when B film producers channelled their energies into making TV programmes. It also addresses leading producers and studios, B film stars, distributors, the genres and themes, and more.

Brian McFarlane, hockey historian, author, and Hockey Hall of Fame broadcaster, delivers 101 fascinating facts about the game he's loved for over eighty years.

Not many can boast of careers that lasted successfully for nearly seventy years, but that is what both Googie Withers and John McCallum achieved. Googie portrayed everything from brazen murderesses to Lady Bracknell, taking in blonde nitwits, wartime Resistance workers, lady farmers and Shakespeare along the way. John not only performed memorably in all the acting media but also was a pioneer producer in Australian television sending Skippy into the far corners of the earth the managing director of a huge theatrical firm, and a film director, playwright and author. Just as remarkable was their 62-year marriage, not all that common in the entertainment world, and the way this worked is as fascinating as their varied and prolific careers. There were plenty of disagreements along the way but underlying all was their profound respect for each others work and a kind of love that was essentially complementary. Together, in professional and personal matters alike, an unbeatable combination. Brian McFarlanes biography does justice to this remarkable pair and reads as an absorbing story.

From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. This title is a deeply-felt account of a lifetime's addiction.

This book traces the indebtedness of Australian cinema to the classical narrative style of Hollywood film-making, comparing the problems faced by the Australian cinema of the seventies and eighties with those encountered by British filmmakers of the forties and fifties.