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This volume presents a broad spectrum of essays that exemplify rich advances in current print scholarship. It aims to reinstate print, often overlooked or marginalised. While the essays reflect the varied production and role of print, central themes explored here include the making of prints and their perceived 'place' within a printmaker's practice or the circulation, reception and use of prints in the hands of diverse publishers and audiences. The varied production, uses and reception of prints addressed in this volume highlights the importance of the medium in Art History.
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