Bøger af Camille Lemonnier

Et l'homme parti, elle traînait son ventre dans la maison encore vide d'enfant. C'était la première fois qu'elle sentait remuer en elle la semence d'amour. Ils s'étaient mariés au dernier Saint-André, lui, grand, fort, râblé, le front doux, le geste bourru, le coeur vaillant, toujours à la peine; elle, petite femme mamelue et saine, largement plantée sur ses pieds. La noce avait duré deux jours, l'un qu'on avait passé chez les parents de Tys, l'autre chez les parents de Ka. Et enfin la troisième nuit, ils avaient couché dans leur maison, deux chambres en bas, le long de la route, et un grenier sous le toit. Puis, le lendemain, un lundi, Tys avait noué dans un drap de serge quatre pains de deux livres; il avait embrassé sa conjointe sur les joues et dans le cou; debout sur le seuil, elle l'avait suivi des yeux, marchant à grandes enjambées dans la campagne. Le samedi soir, ensuite, comme elle regardait au loin, une main sur les yeux, elle avait aperçu, par delà les dernières maisons, son homme qui allait à pas rapides; et un nuage montait droit derrière lui, dans le soleil bas à l'horizon. Et il était resté dans la chaleur de son giron deux nuits et un jour; et de nouveau, ensuite, il avait tassé ses quatre pains dans le drap de serge; et il avait marché vers la ville.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Ce récit transcrit bien une impression de désarroi, de guerre et de mort absurde. Il est divisé en petites parties, ce qui donne une impression de flashs successifs, de rapidité. Il ne s'agit pas de nous dégoûter par trop de réalisme, la misère est décrite, mais presque de loin. La description n'en n'est que plus forte. Il n'y a pas vraiment de noms précis de personnages, le récit vaut pour tous.

Tobias went up the ladder now and again to see if Dolf were not coming back. The little port-hole of the Guldenvisch reflected its red light on the dark water; there was no other window alight in the town. In the distance a church clock rang out the quarters, the chimes falling through the night like a flight of birds escaped from a cage. Tobias listened to the notes of the music which spoke of the son whom he awaited.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Contes Flamands Et Wallons: (scènes De La Vie Nationale) Camille Lemonnier Librairie Européenne C. Muquardt, 1873

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Études Sur Quelques Artistes Originaux Félicien Rops; Etudes Sur Quelques Artistes Originaux Camille Lemonnier H. Floury, 1908 Art; History; General; Art / History / General; Art / Individual Artist

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sedan Camille Lemonnier C. Muquardt, 1871

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

" ...Nol, l'aîné, avait quarante-six ans, Balthazar, qu'on appelait aussi Balt, en avait à peu près quarante, et Bastian ou Bast, trente-six ou trente-sept; et tous trois vivaient ensemble, célibataires, ne s'étant jamais quittés. Balt et Bast étaient maigres comme des clous, le premier, large d'épaules, nerveux, les mains énormes, le second, planté sur des jambes fluettes, voûté, marchant par saccades, chauve. Et Nol avait la tête et les jambes enflées démesurément, à cause de l'humidité de la maison. Balt était emporté, violent, d'une sauvagesse exaspérée, tendu comme une arbalète; Bast, au contraire, était farouche, sournois, chien-couchant, pliant devant les gens et se redressant derrière eux, d'une lâcheté basse. Il était pris d'accès de toux interminables, qui le mettaient en sueur et l'obligeaient à se retenir aux meubles, aux haies, la face convulsée, les pommettes en sang..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Paris-Berlin: 1870 3 Camille Lemonnier Muquardt, 1870

" Elle passa droite, aux plis sévères de sa robe noire, portant le tablier des infirmières. Je ne pouvais voir son visage; sa démarche ne me rappelait aucune démarche connue; et de son côté, elle ne prenait pas attention à moi. Il venait souvent des dames nouvelles dans cette Maison des douleurs. Mais un peu de temps après, elle repassa encore; j'étais penché sur l'horrible mal d'un vieillard entré là depuis une semaine. Elle traversa diagonalement la salle et il me sembla que cette fois elle m'avait longuement regardé. Je levai moi-même les yeux. Déjà elle s'était rapprochée de la porte; je ne vis que la main avec laquelle elle la refermait sur son passage; et puis je cessai de penser à cela. Je terminai tranquillement le pansement..." C.L.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Deux ouvrages de Camille Lemonnier qui nous proposent une descente angoissante et fascinante dans les profondeurs les plus obscures de la psychologie humaine: 1. "L'homme qui tue les femmes. Mémoires de l'assassin" Inspiré par Jack L'Eventreur, l'auteur y décrit ce qui se passe dans la tête du meurtrier. 2. "Le Possédé. Etude passionnelle" C. Lemonnier expose la régression jusqu'à la bestialité d'un homme respectable obsédé par l'institutrice de ses enfants.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Anthologie des Prosateurs Belges (1888) est un recueil de textes de prose �����crits par des �����crivains belges, s�����lectionn�����s et �����dit�����s par Camille Lemonnier. Le livre comprend des extraits d'�����uvres de grands noms de la litt�����rature belge tels que Maurice Maeterlinck, Georges Rodenbach, Emile Verhaeren, Max Waller et bien d'autres. Les textes couvrent une vari�����t����� de genres tels que le roman, la nouvelle, l'essai et la critique litt�����raire. Cette anthologie est un t�����moignage de la richesse et de la diversit����� de la litt�����rature belge ������ la fin du XIXe si�����cle.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.