Bøger af Carmen Boullosa

A contemporary classic from award-winning author Carmen Boullosa, in the tradition of Juan Rulfo, Jorge Louis Borge and Cesair Aira, now available in a special 10th anniversary edition.Loosely based on the little-known 1859 Mexican invasion of the United States, Texas: The Great Theft is a richly imagined evocation of the volatile Tex-Mex borderland. Boullosa views border history through a new lens decentering US narratives, and her sympathetic portrayal of each of her wildly diverse characters--Mexican ranchers and Texas Rangers, Comanches and cowboys, German socialists and runaway slaves, Southern belles and dancehall girls--makes her storytelling tremendously powerful and absorbing. Featuring a new introduction by a prominent writer, the Tenth Anniversary edition of Texas sheds important historical light on current battles over the Mexican-American frontier while telling a gripping story with Boullosa's singular prose and formal innovation.

The term 'Mexican Drug War' implies that the ongoing bloodbath, which has now killed well over 100,000 people, is an internal Mexican affair. But this diverts attention from the U.S. role in creating and sustaining the carnage. It's not just that Americans buy drugs from, and sell weapons to, Mexico's murderous cartels. It's that ever since the U.S. prohibited the use and sale of drugs in the early 1900s, it has pressured Mexico into acting as its border enforcer-with increasingly deadly consequences.Mexico was not a helpless victim. Powerful forces within the country profited hugely from supplying Americans with what their government forbade them. But the policies that spawned the drug war have proved disastrous for both countries.Written by two award-winning authors, one American and the other Mexican, A Narco History reviews the interlocking twentieth-century histories that produced this twenty-first century calamity, and proposes how to end it.

What if everything they’ve told us about the Garden of Eden was wrong? Faced with what appears to be an apocryphal manuscript containing ten books and 91 chapters, Eve decides to tell her version of the story of Genesis: she was not created from Adam’s rib, nor is it correct that she was expelled for taking the apple from the serpent; the story of Abel and Cain isn't true, neither are those of the Flood and the Tower of Babel...In brilliant prose, Carmen Boullosa offers a twist on the Book of Genesis that dismantles patriarchy and rebuilds our understanding of the world—from the origin of gastronomy, to the domestication of animals, to the cultivation of land and pleasure—all through the feminine gaze. Based on this exploration, at times both joyful and painful, The Book of Eve takes a tour through the stories we’ve been told since childhood, which have helped to foster (and cement) the absurd idea that woman is the companion, complement, and even accessory to man, opening the door to criminal violence against women. Boullosa refutes this entrenched, dangerous perspective in her foundational and brazen feminist novel.

An agitated poetry to order from personal experience the chaos of the world which it's fallen to us to inhabit.

In this continuation of Anna Karenina's legacy, Russa simmers on the brink of change and the stories long kept secret finally come to light.

In a vivid fragmentary narrative, three narrators from different times and places find they're connected through history, memory, and language.

"e;Mexico's greatest woman writer."e;Roberto Bolao"e;A luminous writer . . . Boullosa is a masterful spinner of the fantastic"e;Miami HeraldAn imaginative writer in the tradition of Juan Rulfo, Jorge Luis Borges, and Cesar Aira, Carmen Boullosa shows herself to be at the height of her powers with her latest novel. Loosely based on the little-known 1859 Mexican invasion of the United States, Texas is a richly imagined evocation of the volatile Tex-Mex borderland. Boullosa views border history through distinctly Mexican eyes, and her sympathetic portrayal of each of her wildly diverse charactersMexican ranchers and Texas Rangers, Comanches and cowboys, German socialists and runaway slaves, Southern belles and dancehall girlsmakes her storytelling tremendously powerful and absorbing.Shedding important historical light on current battles over the MexicanAmerican frontier while telling a gripping story with Boullosa's singular prose and formal innovation, Texas marks the welcome return of a major writer who has previously captivated American audiences and is poised to do so again.Carmen Boullosa (b. 1954) is one of Mexico's leading novelists, poets, and playwrights. Author of seventeen novels, her books have been translated into numerous world languages. Recipient of numerous prizes and honors, including a Guggenheim fellowship, Boullosa is currently Distinguished Lecturer at City College of New York.Samantha Schnee is founding editor and chairman of the board of Words Without Borders. She has also been a senior editor with Zoetrope, and her translations have appeared in the Guardian, Granta, and the New York Times.

Carmen Boullosa is one of Latin America's most original voices, and in Cleopatra Dismounts she has written a remarkable reconstruction of the life of the Egyptian queen, who famously died in Marc Antony's arms. But is this really the true Cleopatra?Through the intervention of Cleopatra's scribe and informer Diomedes, Boullosa creates two previous Cleopatras, and in effect two deliriously wild other lives for the young monarch-a girl escaping the intrigues of royal society, and the young queen who is carried across the sea on the back of a magical bull, to live among the Amazons and become part of their society.Magical, multifaceted, and rippling with luminous imagination, Cleopatra Dismounts is a work that recalls Jeanette Winterson's Sexing the Cherry and confirms Carmen Boullosa as an important international voice.