Bøger af Charles Nodier

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Smarra o los demonios de la noche es una de las novelas más extrañas salidas de la pluma de Charles Nodier, la historia de una pesadilla dentro de otra pesadilla, una novela aún hoy moderna, que recrea uno de los monstruos más espeluznantes de la literatura: Smarra, el siniestro vampiro de los sueños.

Le Genie Bonhomme est un roman de l'�����crivain fran�����ais Charles Nodier, publi����� en 1873. L'histoire se d�����roule dans un petit village fran�����ais o����� vit un homme nomm����� Bonhomme. Bonhomme est un personnage �����trange et myst�����rieux qui poss�����de un don extraordinaire: il peut gu�����rir les maladies gr�����ce ������ ses pouvoirs surnaturels.Le roman suit les aventures de Bonhomme alors qu'il utilise ses pouvoirs pour aider les habitants du village. Cependant, son don attire �����galement l'attention des autorit�����s locales qui le consid�����rent comme un charlatan et le pers�����cutent. Bonhomme doit alors lutter pour prouver sa v�����ritable nature et sauver sa r�����putation.Le Genie Bonhomme est un roman fantastique qui explore des th�����mes tels que la superstition, la m�����fiance envers l'inconnu et la lutte contre les pr�����jug�����s. Il est consid�����r����� comme l'un des meilleurs travaux de Nodier et est souvent cit����� comme un exemple de la litt�����rature fantastique fran�����aise du XIXe si�����cle.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

" Le kardouon est, comme tout le monde le sait, le plus joli, le plus subtil et le plus accort des lézards. Le kardouon est vêtu d'or comme un grand seigneur; mais il est timide et modeste, et il vit seul et retiré; c'est ce qui l'a fait passer pour savant. Le kardouon n'a jamais fait de mal à personne, et il n'y a personne qui n'aime le kardouon. Les jeunes filles sont toutes fières quand il les regarde au passage avec des yeux d'amour et de joie, en redressant son cou bleu chatoyant de rubis entre les fentes d'une vieille muraille, ou en faisant étinceler sous les feux du soleil les reflets innombrables du tissu merveilleux dont il est habillé..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Trilby est un lutin, esprit follet qui hante la demeure d'un pêcheur, Dougal et de sa femme batelière, Jeannie, dont il est amoureux. Il lui déclare ses sentiments puis elle se laisse aller à des rêves agréables, jusqu'au jour où elle avoue ce qui arrive à son mari, lequel fait exorciser Trilby par un moine, Ronald. Le départ du lutin provoque la ruine du foyer, Dougal ne ramène plus de poissons et Jeannie, rongée par la tristesse, rêve de Trilby sous les traits de John Mac-Farlane, un chef de clan maudit. Mari et femme partent en pèlerinage au monastère de Balva, où Ronald invite chacun à maudire les esprits. Jeannie refuse et découvre un tableau près de la chapelle, sur lequel elle reconnaît l'homme dont elle a rêvé, John-Trilby Mac-Farlane. Plus tard, un vieillard nain est recueilli sur son bateau. Elle reconnait Trilby et à nouveau les pêches de son mari deviennent abondantes, tandis que Jeannie se reprend à rêver du lutin. Trilby finit par implorer l'aveu qu'elle l'aime, elle le refuse malgré ses sentiments. Sortie, elle rencontre le moine Dougal et Ronald près de son mari prosterné en train d'enfermer Trilby dans un bouleau pour mille ans. Elle se suicide alors.

Bulletin du bibliophile et du bibliothécaire by Charles Nodier. This book is a reproduction of the original book published in 1900 and may have some imperfections such as marks or hand-written notes.

Charles Nodier (1780-1844) fue un gran escritor francés, refinado, eficaz, y es en sus sutilezas donde se puede apreciar lo mejor de su literatura. Sus relatos y leyendas abordaron casi todos los tópicos de la literatura gótica, pero siempre desde un lugar distanciado; como si su experiencia como bibliotecario lo hubiese alejado definitivamente del terror llano y visceral.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dans une maison de santé de Glasgow, le charpentier Michel raconte son histoire. Jeune homme à Granville, il a un jour sauvé au Mont-Saint-Michel une vieille mendiante surnommée la Fée aux miettes, et lui a promis de l'épouser. Grâce à son travail, Michel peut s'embarquer sur la Reine de Saba pour une destination inconnue. Le bateau fait naufrage, Michel arrive sur une île, et découvre que la Fée aux miettes l'a suivi, cachée dans son sac. Elle lui offre un portrait d'elle jeune, un portrait de la reine de Saba, dont Michel tombe amoureux. Michel trouve du travail. Un jour cependant le bateau de la reine de Saba accoste et il veut partir avec lui. La veille du départ, il passe la nuit avec un homme à tête de chien, que des animaux tentent de dévaliser. Michel finit par épouser la Fée aux miettes, voyant toutes les nuits la reine de Saba le visiter. Mais, pour que ce bonheur dure, il lui faut trouver la mandragore qui chante.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Nouvelles Charles Nodier Charpentier, 1840

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.