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This long-overdue monograph rediscovers the fifty-year career of Robert De Niro, Sr., an important New York School painter and poet.
In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. "One: Number 31 (1950)", was among the largest of the paintings he produced by this method. This title offers an exploration of the painting.
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