Bøger af Chris Laoutaris

In November 1596, a woman signed a document that would nearly destroy the career of William Shakespeare . . .Who was this figure who played such an instrumental role in Shakespeare's life? Never far from controversy when she was alive, Lady Elizabeth Russell, the self-styled Dowager Countess of Bedford, has been edited out of public memory, yet the chain of events she set in motion would make Shakespeare the legendary figure we all know today.Lady Elizabeth Russell's extraordinary life made her one of the most formidable women of the Renaissance. And, in November 1596, she became the leader of a movement aimed at destroying William Shakespeare's theatrical troupe--a plot that resulted in the closure of the Blackfriars Theatre but the construction, instead, of The Globe.Providing new pieces to this puzzle, Chris Laoutaris's rousing history reveals for the first time this startling battle against Shakespeare and the Lord Chamberlain's Men.

"The never-before-told story of how the makers of The First Folio created Shakespeare as we know him today"--

Shortlisted for the Tony Lothian PrizeOne of the Telegraph's 'Best Books of 2014''A gripping tale that enables us to see Shakespeare in a new light...I could not recommend it highly enough.' Alison WeirIn November 1596 a woman signed a document which would nearly destroy the career of William Shakespeare . . . Who was the woman who played such an instrumental, yet little known, role in Shakespeare's life? Never far from controversy when she was alive - she sparked numerous riots and indulged in acts of bribery, breaking-and-entering, and kidnapping - Elizabeth Russell has been edited out of public memory, yet the chain of events she set in motion would be the making of Shakespeare as we all know him today. Providing new pieces to the puzzle, Chris Laoutaris's thrilling biography reveals for the first time the life of this extraordinary woman, and why she decided to wage her battle against Shakespeare.'A splendid and original book' Sunday Telegraph'A work of historical and literary detection which takes us straight to the heart of religious politics in Elizabethan England.' Frances Wilson, New Statesman 'I'm in love with the brilliant research on display in Shakespeare and the Countess by Christopher Laoutaris and how it brings to light Lady Elizabeth Russell, a force to be reckoned with and a trailblazing early feminist.' Amma Asante, Observer (Books of the Year)

This study explores maternity in the 'disciplines' of early modern England. Placing the reproductive female body centre-stage in Shakespeare's theatre, Laoutaris ranges beyond the domestic sphere in order to recuperate the wider intellectual, epistemological, and archaeological significance of maternity to the Renaissance imagination. Focusing on 'anatomy' in Hamlet, 'natural history' in The Tempest, 'demonology' in Macbeth, and 'heraldry' in Antony and Cleopatra, this book reveals the ways in which the maternal body was figured in, and in turn contributed towards the re-conceptualisation of, bodies of knowledge. Laoutaris argues that Shakespeare resists a monolithic concept of motherhood, presenting instead a range of contested 'maternities' which challenge the distinctive 'ways of knowing' these early disciplines worked to impose on the order of created nature.