Bøger af Christina Pugh

Poems that radiate with incredible artistic vision and writerly craft. Pain, piercing, and language: with urgent lyricism and lacunae on the page, The Right Hand explores the physical, emotional, and philosophical experiences of chronic pain, bodywork (especially acupuncture), and healing. In the second half of the collection, the poet spends extended time with Bernini's sculpture of St. Teresa in Ecstasy in Rome, finding this famous scene of wounding to be in dialogue with her own experience of pain, as well as her suspension between languages and spiritual isolation. In The Right Hand, the hidden sites of the body speak, and Bernini's centuries-old arrow pierces us with hurting eloquence.

Ghosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic "ghosts" from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the now. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that happened in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently--in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.

Mapping an uncanny journey through the clusters of media we encounter daily but seldom stop to contemplate, Christina Pugh's focused descriptions, contrasting linguistic textures, and acute poetic music become multifarious sources of beauty, disruption, humour, and hurt.