Bøger af Christopher Jensen

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Joy is a children's book author and illustrator who's recently gone through a divorce. She's lost custody of her son. Now she's moved back to the small Kansas college town where a long-forgotten family property looms.Jake, the part-time caretaker, is probably out of a cushy job with this new owner moving to town. That's okay. Jake is easy going, and this new owner is also a not-bad looking only-slightly-older woman. Maeve Daniels was the wife of a well-to-do South Texas minister. But, alas, a scandal has forced her to hit her mid-forties as a tenant in her aging mother's house. To boot, she is only afforded an adjunct's salary in a third-rate theology department. For Corky, Aunt Maeve and Kansas have been hell on roller-skates. The only relief she got was when she slithered into the cellar of the old nearly-abandoned house next door. Now her hiding place is ruined. How will she get through her summer in exile without...Binx. Binx remembers little Joy. The house has been quiet since the night her father went missing. They took little Joy away from him. All the details will be his to share if only he can get Joy all alone.

Essays on the post-modern reception and interpretation of the Middle Ages,To attract followers many professional politicians, as well as other political actors, ground their biases in (supposedly) medieval beliefs, align themselves with medieval heroes, or condemn their enemies as medieval barbarians. The essays in the first part of this volume directly examine some of the many forms such medievalism can take, including the invocation of "e;blood libels"e; in American politics; Vladimir Putin's self-comparisons to "e;Saint Equal-of-the-Apostles Prince Vladimir"e;; alt-right references to medieval Christian battles with Moslems; nativist Brexit allusions to the Middle Ages; and, in the 2019 film The Kid Who Would be King, director Joe Cornish's call for Arthurian leadership through Brexit. These essays thus inform, even as they are tested by, the subsequent papers, which touch on politics in the course of discussing the director Guy Ritchie's erasure of Wales in the 2017 film King Arthur: Legend of the Sword; medievalist alt-right attempts to turn one disenfranchised group against another; Jean-Paul Laurens's 1880 condemnation of Napoleon III via a portrait of Honorius; Henry Wadsworth Longfellow's extraordinarily wide range of medievalisms; the archaeology of Julian of Norwich's anchorite cell; the influence of Julian on pity in J.K. Rowling's Harry Potter book series; the origins of introductory maps for medievalist narratives; self-reflexive medievalism in a television episode of Doctor Who; and sonic medievalism in fantasy video games. Contributors: Laura Cochrane, James Cook, Esther Cuenca, Andrew B.R. Elliott, Ali Frauman, JohnWyatt Greenlee, Sean Griffin, Christopher Jensen, M.J. Toswell, Laura Varnam, Usha Vishnuvajjala, Anna Fore Waymack, Daniel Wollenberg, Victoria Yuskaitis