Bøger af Christopher (University of East Anglia) Bigsby

Introduces nine important and exciting playwrights in twenty-first century America, exploring issues of race, gender and politics in contemporary theatre. Analysing the work of key figures, seven of whom are women and two of whom African-American, this book will appeal to students and other readers interested in modern American drama.

For the last decade and a half there has been a revolution in American television drama. Christopher Bigsby explores what amounts to a new golden age as that drama has engaged with a changing country, from the decline of the city to the crisis provoked by 9/11 and Hurricane Katrina.

Drawing on extensive interviews and rehearsal material, Christopher Bigsby explores the entirety of Arthur Miller's work (plays, poetry, fiction and films) in this comprehensive and stimulating study. This is an enjoyable insight into a great playwright that will interest both theatregoers and students of modern drama.

This is a meditation on memory and on the ways in which memory has operated in the work of writers for whom the Holocaust was a defining event. It is also an exploration of the ways in which fiction and drama have attempted to approach a subject so resistant to the imagination. Beginning with W. G. Sebald, for whom memory and the Holocaust were the roots of a special fascination, Bigsby moves on to consider those writers Sebald himself valued, including Arthur Miller, Anne Frank, Primo Levi and Peter Weiss, and those whose lives crossed in the bleak world of the camps, in fact or fiction. The book offers a chain of memories. It sets witness against fiction, truth against wilful deceit. It asks the question who owns the Holocaust - those who died, those who survived to bear witness, those who appropriated its victims to shape their own necessities.

One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in another time and place, but doing something more than just survive. Wilson deliberately addressed black America, but in doing so discovered an international audience. Alongside chapters addressing Wilson's life and career, and the wider context of his plays, this Companion dedicates individual chapters to each play in his ten-play cycle, which are ordered chronologically, demonstrating Wilson's notion of an unfolding history of the twentieth century.

Neil LaBute is one of the most exciting new talents in theatre and film to have emerged in the 1990s. Influenced and inspired by such writers as David Mamet, Edward Bond and Harold Pinter, he is equally at home writing for the screen as for the stage, and the list of films he has written and directed includes The Wicker Man (2006), Possession (2002) and In the Company of Men (1998). As a playwright, screenwriter, director, and author of short stories, he has staked out a distinctive, and disturbing, territory. In the first full-length study on LaBute, Christopher Bigsby examines his darkly funny work which explores the cruelties, self-concern and manipulative powers of individuals who inhabit a seemingly uncommunal world. Individual chapters are dedicated to particular works, and the book also includes an interview with LaBute, providing a fascinating insight into the life of this influential and often controversial figure.

Christopher Bigsby explores the works and influences of ten contemporary American playwrights: John Guare (House of Blue Leaves), Tina Howe (Museum and Approaching Zanzibar), Pulitzer Prize and Tony award winner Tony Kushner (Angels in America), Emily Mann (Anulla: An Autobiography and Having Our Say), Richard Nelson (An American Comedy), Marsha Norman (The Secret Garden), David Rabe (In the Boom Boom Room), Pulitzer Prize winner Paula Vogel (Desdemona: A Play about a Handkerchief), Wendy Wasserstein (The Sisters Rosenzweig), and Pulitzer Prize winner Lanford Wilson (Talley's Folly). Bigsby examines, in some detail, the developing careers of some of America's most fascinating and original dramatic talent. In addition to well-known works, Bigsby discusses some of the latest plays to reach the stage. This lively and accessible book, by one of the leading writers on American theatre, will be of interest to students, scholars and general theatre-goers alike.