Bøger af Claire Lindsay

This open access book discusses the relationship between periodicals, tourism, and nation-building in Mexico. It enquires into how magazines, a staple form of the promotional apparatus of tourism since its inception, articulated an imaginative geography of Mexico at a time when that industry became a critical means of economic recovery and political stability after the Revolution. Notwithstanding their vogue, popularity, reach, and close affiliations to commerce and state over several decades, magazines have not received any sustained critical attention in the scholarship on that period. This book aims to redress that oversight. It argues that illustrated magazines like Mexican Folkways (1925-1937) and Mexico This Month (1955-1971) offer rich and compelling materials in that regard, not only as unique tools for interrogating the ramifications of tourism on the country's reconstruction, but as autonomous objects of study that form a vital if complex part of Mexico's visual culture.

The end of the twentieth century witnessed a «boom» in the production, publication, readership, and scholarship of women¿s writing from Latin America. In fact, the emergence of women writers is perhaps the most significant phenomenon of the «post-boom» period of Latin American literary history, a phenomenon that has been influenced in turn by the burgeoning development of a number of women¿s movements on the continent. Within this «boom», the short story has become an increasingly popular genre amongst women writers. This book considers the location(s) of four major women writers ¿ Cristina Peri Rossi, Rosario Ferré, Albalucía Angel, and Isabel Allende ¿ and their short fiction within these changing literary and social contexts. Combining close textual analysis of their fiction with a consideration of the social, historical, and geographical contexts of literary production, this book is essential reading for students and scholars in Latin American studies, women¿s studies, and comparative literature.