Bøger af Claude McKay

VINTAGE CLASSICS' HARLEM RENAISSANCE SERIES Celebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'Why did I want to mix mahself up in a white folk's war? It ain't ever was any of black folks' affair'When Jake Brown joins the army during the First World War, he is treated more like a slave than a soldier. After deserting his post to escape the racial violence he is facing, Jake travels back home to Harlem. But despite the distance, Jake cannot seem to escape the past and the explosive ways in which it can culminate. Written with brutal accuracy, Home to Harlem is an extraordinary work, and was the first American bestseller by a Black writer. 'One of the most gifted writers of the Harlem Renaissance' Washington Post

This Is A New Release Of The Original 1912 Edition.

"Home to Harlem explores the plight of young Black men in the early twentieth century in America. This novel was both applauded and criticized for its sensual, brutal honesty in its portrayal of urban life"--

This Is A New Release Of The Original 1920 Edition.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This Is A New Release Of The Original 1922 Edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

"Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by." Amid so much beauty, the speaker is unable to escape the daily reality of backbreaking work, the nights of sheer exhaustion. Spring in New Hampshire and Other Poems is a poetry collection by Claude McKay.

"My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept." Passing a window filled with fresh tropical fruit, the poet recalls his home in Jamaica. Harlem Shadows is a poetry collection by Claude McKay.

In his 1918 autobiographical essay, "A Negro Poet Writes," Claude McKay (1889-1948), reveals much about the wellspring of his poetry."I am a black man, born in Jamaica, B.W.I., and have been living in America for the last years. It was the first time I had ever come face to face with such manifest, implacable hate of my race, and my feelings were indescribable ... Looking about me with bigger and clearer eyes I saw that this cruelty in different ways was going on all over the world. Whites were exploiting and oppressing whites even as they exploited and oppressed the yellows and blacks. And the oppressed, groaning under the leash, evinced the same despicable hate and harshness toward their weaker fellows. I ceased to think of people and things in the mass. [O]ne must seek for the noblest and best in the individual life only: each soul must save itself."So wrote the first major poet of the Harlem Renaissance, whose collection of poetry, Harlem Shadows (1922), is widely regarded as having launched the movement. But McKay's literary significance goes far beyond his fierce condemnations of racial bigotry and oppression, as is amply demonstrated by the universal appeal of his sonnet, "If We Must Die," recited by Winston Churchill in a speech against the Nazis in World War II.While in Jamaica, McKay produced two works of dialect verse, Songs of Jamaica and Constab Ballads, that were widely read on the island. In richly authentic dialect, the poet evoked the folksongs and peasant life of his native country. The present volume, meticulously edited and with an introduction by scholar Joan R. Sherman, includes a representative selection of this dialect verse, as well as uncollected poems, and a generous number in standard English from Harlem Shadows.

From one of the most significant figures of the Harlem Renaissance comes a narrative defining book chronicling his life from Jamaica to New York CityClaude McKay's long odyssey from Jamaica to Harlem, Europe, North Africa, Russia, and back to America is chronicled in this autobiography of the most militant writers to emerge from the New Negro movement following World War I. Whether in the intellectual circles of Harlem and Greenwich Village, the docks of Marseilles, or the inner circles of post-revolutionary Russia, McKay's contact with such figures as Frank Harris, Max Eastman, George Bernard Shaw, W.E.B Dubois, James Weldon Johnson, Charles Chaplin, H.G Wells, Sinclair Lewis, Trotsky, and Radek all served to advance those views which would be so widely accepted in the 1960?Black Pride, self-determination, and the necessity for Black culture to define itself.

?There is an abundant humor to this book and pathos; there is melodrama and the quiet charm of introspective analysis, and above all there is entertainment.??Saturday ReviewA novel of love and war, from the author of Home to HarlemBita Plant is adopted and sent to England from Jamaica by white missionary benefactors and returns to her home village of Banana Bottom seven years later a beautiful, cultured young lady. Despite the evangelical guidance of her foster parents and friendship with a white squire, Bita is increasingly drawn to the vitality of her more natural culture with its festivals, superstitions, revival meetings, and passionate courtships. Among her many suitors she chooses to marry the quiet, humble man who allows her to be most true to herself.

First published in 1937 in the US by Lee Furman, Inc. This edition based on original cover and text.A Jamaican-born writer describes his experiences traveling throughout the world following World War I, and recalls his friendships with celebrities of the Twenties and Thirties.

"Ritorno ad Harlem" non è solo un romanzo: è una vera e propria celebrazione, un ballo cadenzato dalle note di quello sfrenato jazz che ha cristallizzato per sempre, nell’immaginario di tutti, i "ruggenti anni Venti". Ma qui non parliamo di Gershwin, né, tantomeno, del Grande Gatsby. Il mondo da cui muove Claude McKay è infatti quello della New York afroamericana, di una Harlem che, successivamente ai disagi della Grande Guerra, ha attirato migliaia di neri dal sud degli Stati Uniti e da altre zone dell’America, tutti con l’obiettivo di dare vita a una scenografia per le proprie speranze di emancipazione. Il cosiddetto Rinascimento di Harlem è un’epopea vitale, sanguigna, perennemente sospesa fra la disperazione della miseria e il vitalismo di una comunità che cerca di costruirsi un proprio spazio di libertà. Una lettura imprescindibile, per tutti e a ogni latitudine. Claude McKay (1889-1948) nasce a James Hill, nel sudest della Jamaica, da una famiglia di contadini proprietari di terra. Avviato agli studi da un fratello, manifesta sin da giovanissimo una forte vena letteraria, pubblicando il suo primo libro di poesie, "Songs of Jamaica", nel 1912 (un originale esperimento in lingua patois). Nonostante i moltissimi viaggi e una vita fatta di avventure e lavori di ogni tipo (visiterà l’Unione Sovietica, si sposerà in Giappone e abiterà a Londra), il suo nome è per lo più associato al cosiddetto Rinascimento di Harlem. Trasferitosi in America nel 1912, infatti, entrerà ben presto in contatto con la frenetica scena creativa del più grande quartiere nero di New York. "Ritorno ad Harlem" (1928), sicuramente la sua opera più famosa, è una celebrazione della vita di strada e, al contempo, una denuncia della profonda iniquità della società americana. Fra i suoi altri libri, si possono anche citare "Banjo" (1929) e "Banana Bottom" (1933).

LARGE PRINT EDITION. Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. "Quashie to Buccra," the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: "You tas'e petater an' you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / 'Cause you no know how 'tiff de bush fe cut." Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica's black community, McKay warns that "hardship always melt away / Wheneber it comes roun' to reapin' day." This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem "Whe' fe do?" Addressed to his own people, McKay offers hope for a brighter future to come: "We needn' fold we han' an' cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin' night: / Den we might conquer by an' by- / Dat we might do." With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Songs of Jamaica is a classic of Jamaican literature reimagined for modern readers.

2018 Reprint of 1922 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. "Here is a young man, born in the British West Indies, who is without doubt the most talented and versatile of the new school of imaginative, emotional negro poets. Feeling intensely, at times bitterly, he succeeds, nevertheless, in preventing his emotions from affecting his genius as a poet. He has surety of expression, depth of feeling, the true lyric gift, and handles amazingly well subtle gradations of thought and of feeling. Mr. McKay is not a great negro poet-he is a great poet! This is his first book of verse to be published in the United States, but it will give him the high place among American poets to which he is rightfully entitled." Review of Harlem Shadows by Walter F. White, in The Negro's Contribution, 1922.

Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay¿who grew up in Jamaicäcaptures the life of Harlem from a realist¿s point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In ¿The White City,¿ McKay observes New York, its ¿poles and spires and towers vapor-kissed¿ and ¿fortressed port through which the great ships pass.¿ Filled him with a hatred of the inhuman scene of industry and power, forced to ¿muse [his] life-long hate,¿ he observes the transformative quality of focused anger: ¿My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world¿s hell, / Did not forever feed me vital blood.¿ Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within ¿the mighty city.¿ In ¿The Tropics in New York,¿ he walks past a window filled with ¿Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears,¿ a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: ¿My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept.¿ With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay¿s Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.