Bøger af Claudia Rankine

WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR POETRYWINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRYIn this moving, critical and fiercely intelligent collection of prose poems, Claudia Rankine examines the experience of race and racism in Western society through sharp vignettes of everyday discrimination and prejudice, and longer meditations on the violence - whether linguistic or physical - which has impacted the lives of Serena Williams, Zinedine Zidane, Mark Duggan and others.Awarded the National Book Critics Circle Award for Poetry in America after becoming the first book in the prize's history to be a finalist in both the poetry and criticism categories, Citizen weaves essays, images and poetry together to form a powerful testament to the individual and collective effects of racism in an ostensibly "e;post-race"e; society.

Det hvide kort er et teaterstykke, der handler om racisme. Om gode intentioner. Og om magt og racisme og kunst og blindhed. Vi er i teaterstykket placeret hos den absolutte økonomiske elite i USA. Nemlig hos kunstsamleren Charles og hans kone Virginia. De har inviteret den opadstigende stjerne i kunstverdenen Charlotte til middag. Hun er sort, og arbejder i sin kunst med racisme og sortes rettigheder. Det hvide kort er en åbenbarende gennemspilning af de uligheder, der stadig er knyttet til race. Udfoldet i det hvide rum som kunsten så ofte placeres i. Det hvide kort er første udgivelse i udgivelsesserien Bibliotek Bayou. En udgivelsesserie, der sætter fokus på dramatik og scenekunst.“…Måske vil en diskussion om racisme aldrig kunne foregå fra ligestillede positioner mellem de involverede. Måske forventes der en fremførelse af noget, jeg som sort kvinde ikke kan se, selv ikke når jeg modsætter mig dets tilstedeværelse. Måske kan man kun udforske disse kendte og alligevel usynlige dynamikker ved at træde ind i et rum og gennem ­ spille dem.” — Claudia Rankine

Statsborger er en reaktion på en virkelighed, hvor racisme udspiller sig i hverdagen og for åben skærm – ubevidst og bevidst, i strukturel og institutionaliseret form. Værket består af digte, reproduktioner, kommentarer, essayistik, malerier, tegninger, skulpturer og skærmbilleder. Claudia Rankine er født 1968 på Jamaica og er opvokset i USA. Hun har udgivet fem digtsamlinger, to skuespil, flere essays og står bag flere antologier. Med det selvstændige værk Statsborger bygger Rankine videre på den undersøgelse af forskellige former for strukturel vold, hun påbegyndte i Lad mig ikke være ensom fra 2004. Begge bøger bærer undertitlen Et amerikansk digt og er udkommet på Kronstork.Statsborger har vundet en lang række priser og var blandt andet nomineret til en National Book Award.

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine's Don't Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars-doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.First published in 2004, Don't Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new introduction by the author, and matches the composition of Rankine's best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy.Don't Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness-a book of rare and vital honesty, complexity, and presence.

'Exquisite . . . readers will find themselves transformed by it' Claire Lynch'Stunning . . . dazzlingly laser-like and movingly original' Lara Feigel'Inventive and searching' Calvin Bedient'I am awestruck . . . a masterpiece' Mary GordonThe stunningly original exploration of pregnancy and childbirth by the acclaimed author of CitizenIn this, the landmark achievement that crowned the first phase of her writing career, Claudia Rankine invites us into the lives of Liv and her husband Erland, as they find themselves propelled into the classic plot: boy loves girl, girl gets pregnant. The couple's journey is charted through dreams, conversations and reflections, in a text like no other, deftly moulding language and crossing genres to arrive at new life: baby Ersatz.Plot is an inventive and engrossing meditation on pregnancy and the changes it heralds: the potential bodily cost, the loss of self, the sense of impending stasis. Each fear compounds Liv's reluctance to bring new life into a bewildering world. A profoundly daring collection, it explodes the emotive capabilities of language and form to achieve an unparalleled understanding of creation and existence.

The Spanish edition of Claudia Rankine’s Just Us, a new, acclaimed, genre-bending reflection on whiteness in America.“A skyscraper in the literature on racism.” —Christian Science Monitor “Rankine [is] helping America understand itself, one conversation at a time.” —Associated PressNAMED A BEST BOOK OF 2020 by The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews, and Publishers WeeklyAs everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. This brilliant arrangement of essays, poems, and images is Rankine’s most intimate work, less interested in being right than in being true, being together. ***La edición en español de la nueva y aclamada reflexión de género mixto de Claudia Rankine (Just Us) sobre la blancura en los Estados Unidos. NOMBRADO MEJOR LIBRO DE 2020 por The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews y Publishers Weekly. A medida que se aumenta el discurso sobre la supremacía blanca cotidiana sin tener respuestas claras a mano, ¿cuál es la mejor manera de acercarnos a los demás? Claudia Rankine, sin decirnos lo que tenemos que hacer, nos pide que iniciemos los debates que podrán abrir caminos a través de este momento divisivo de la historia estadounidense. Just us nos invita al descubrimiento de lo que se necesita para seguir hablando juntos, incluso y especialmente para romper el silencio, la culpa y la violencia que siguen a los discursos directos sobre la blancura. Este conjunto brillante de ensayos, poemas e imágenes es la obra más íntima de Rankine, menos interesada en tener razón que en encontrar la verdad, en estar juntos.

In this powerful sequence of TV images and essay, Claudia Rankine explores the personal and political unrest of our volatile new centuryI forget things too. It makes me sad. Or it makesme the saddest. The sadness is not really aboutGeorge W. or our American optimism; thesadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government. Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

I bogen, Looking Writing Reading Looking, går 26 internationale forfattere i dialog med kunstværker fra Louisianas Samling. Forfatterne åbner vores øjne for værkerne med deres særlige, poetiske blik. Igennem en bred vifte af litterære genrer som digt, essay, erindringer og noter viser bogens bidrag, hvor forskelligt man kan opleve kunst. Forfatterne er her læsere af kunstværket – og herfra kan vi selv læse videre. I kunsten og i litteraturen. Bogens bidragsydere er Georgi Gospodinov, Colm Tóibín, Claudia Rankine, Richard Ford, Peter Laugesen, Chris Kraus, Sjón, Anne Carson, Roxane Gay, CAConrad, Mariana Enriquez, Hiromi Itō, Delphine de Vigan, Domenico Starnone, Yoko Tawada, Jacques Roubaud, Gunnhild Øyehaug, Eileen Myles, Tomas Espedal, Christian Kracht, Guadalupe Nettel, Anne Waldman, Matias Faldbakken, Chigozie Obioma, Péter Nádas og Tahar Ben Jelloun. I bogen omtales blandt andet værker af Francis Bacon, Asger Jorn, Henry Heerup, Alicja Kwade og mange andre.

MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

A play about the imagined fault line between black and white lives by Claudia Rankine, the author of CitizenThe White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.-from the introduction by Claudia RankineClaudia Rankine's first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible?Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles's intentions. One year later, the second scene brings Charlotte and Charles into the artist's studio, and their confrontation raises both the stakes and the questions of what-and who-is actually on display.Rankine's The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

The award-winning poet's powerful exploration of an America ever more unable to process its own toxinsHere, available for the first time in the UK, is the book in which Claudia Rankine first developed the 'American Lyric' form which makes her Forward Prize-winning collection Citizen so distinctive: an original combination of poetry, lyric essay, photography and visual art, virtuosically deployed. Don't Let Me Be Lonely is Rankine's meditation on the self bewildered by race riots, terrorism, medicated depression and television's ubiquitous influence. Written in the years after 9/11, this is an unflinching and deeply felt meditation on life and death in a nation in flux.

A thought-provoking mix of poetry, creative manifesto and criticism.

Her third collection of poetry, Claudia Rankine's Plot is original and enchanting, and the language, as in her acclaimed The End of the Alphabet, never ceases to startle and confront. Plot is a postmodern dialogue about pregnancy and childbirth. Liv, the expectant mother, and her husband, Erland, find themselves propelled into one of our most basic plots -- boy loves girl, girl gets pregnant. Liv's respect for life, however, makes her reluctant to bring a new life into the world. The couple's electrifying journey is charted through dreams, conversations, and reflections. A text like no other, it crosses genres, existing at times in poetry, at times in dialogue and prose, in order to arrive at new life and baby Ersatz. This stunning, avant-garde performance enacts what it means to be human, and to invest in humanity.