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Dave Green arrives in London with nothing. He is an artist, in search of success. Success does not come easy. His sufferings may or may not bring him redemption.
Alan Swift is an insurance man, a family man, and a space man. But he also has two alter egos: a high-flying imaginary self and a low-lying phobic self. These three selves coexist uneasily. Living at home, in Holloway, he succumbs to claustrophobia; traveling abroad he faces agoraphobia. What is he to do? The novel tracks Alan's movements and transformations, as he tries to deal with the conflicting pressures in his psyche. Moving through space, he is dogged by conscience, yet he must also respect his imagination. Should he stay or should he go?
One of our most original thinkers addresses the scientific world's premier question: What is the nature of consciousness?
This book investigates subjective and objective representations of the world. Analogies between secondary qualities and indexical thoughts are developed, and subjective representations are argued to be ineliminable.
In praise of the hand: A philosopher considers the crucial role of the hand in human evolution, particularly with respect to language.
A memoir of McGinn that discusses many of the sports he was engaged in - from pole-vaulting and gymnastics to windsurfing and tennis - and describes the athletic experience from the inside, as a participant, articulating what is uniquely valuable about sport as an activity.
Explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing.
The guiding thread of this book is the distinction McGinn draws a distinction between perception and imagination, showing what the differences are, arguing that imagination is a sui generis mental faculty. His overall claim is that imagination pervades our mental life, obeys its own distinctive principles, and merits much more attention.
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