Bøger af Constance Merritt

Wrested from the coppery, keen claws of existential extremity, Blessings and Inclemencies, Constance Merritt's second collection of poems, is conventional in its forms and radical in its reaching back to the ground of being and to the originality and immediacy of our first encounters with language.

Relying most heavily on music and metaphor, syntax and diction, Two Rooms explores the conflicting claims of life and art, world and word, cultural heritage and cultural affinities, through the sacral, erotic, and creative imagination. By the light of these dark lyrics, Constance Merritt searches for a path, a sign, a respite -- perhaps love or death or God or insight, perhaps radical transformation or a simple good night's sleep. In these poems, by turns passionate, sinuous, playful and grave, a deep and abiding trust in "the plain sense of things" and intractable longing for the "lush, desire-transfigured world" meet and wrestle to a dynamic draw

"Constance Merritt is a poet to defeat categories, to oppose 'the tyranny of names' with a poetry that sets its own terms of encounter, its 'protocols of touch'--tender and austere, formal and intimate at once. Hers is a voice with many musics, sufficiently rich, nuanced and various to express, maintain poise and wrest meaning from the powerful cross-currents in which the heart is torn. I have seldom seen intelligence equal to such a scorching degree of intensity, or mastery of form so equal to passion's contradictory occasions. Merritt's prosodic range is prodigious--she moves in poetic forms as naturally as a body moves in its skin, even as her lines ring with the cadenced authority of a gifted and schooled ear. Here, in her words, the iambic ground bass is in its vital questioning mode: "The heart's insistent undersong: how live?/how live? How live?" this poetry serves no lesser necesssity than to ask that."--Eleanor WilnerBetween us, how we wrestle over words Strain to wring some blessing from the silence, Deliverance from violence, its fear, its lure, The tyranny of names: night day, Sable and alabaster, flint shale, Steel and lace. Who among us can afford To speak the language--any language--rightly? As if it weren't enough to bear one heart Eternally divided in its chambers? We stand close enough to touch. We do Not touch. Between us burns a sword of fire, A rusted turnstile glinting in the sun.