Bøger af César Vallejo

A bilingual introductory volume, designed to demonstrate the range of Vallejo's poetry. It contains selections from Shearsman's editions of "Trilce" and the "Complete Later Poems" as well as some poems from the early "Black Heralds" volume.

In the forceful, staggering poetry of Csar Vallejo, poet and photographer Gerard Malanga discovered a kindred spirit. Driven by a deep sense of spiritual kinship and with the encouragement of Vallejo's widow, Malanga's translations reveal a profound perspective on Vallejo's work that brings into focus the brutal desperation behind his genius. Malanga Chasing Vallejo gathers 82 of Vallejo's poems in a bilingual edition that is marked by the spiritual connection between poet and translator. A work of the heart, these poems are presented from the position of a fellow member of the underclass, providing a street-level entry point for readers who can relate to the hunger feeding every verse and the ache of loneliness that no amount of modern technology can obscure. In addition to the poems, Malanga's heartfelt introduction describes the process of his 45-year commitment to this project. The book also includes a poem about Vallejo by Malanga, rare photos of Vallejo, and transcriptions of several never-before-published letters to Malanga from Vallejo's widow, Georgette de Vallejo, which guided his translation efforts.

A recognition of Clayton Eshleman's seventeen-year apprenticeship to perhaps the most difficult poetry in the Spanish language.

This first translation of the complete poetry of Peruvian Cesar Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision-perhaps the only one in the canon of Spanish-language literature-in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work.