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Daniel Albright investigates musical phenomena through the lens of monism, the philosophical belief that things that appear to be two are actually one.
"Albright contends that Tennyson's "aesthetic goals were... in conflict" and that his poetry attempts to "unite two incompatible poetics',' one governed by a heavenly muse, the other by an earthly muse suspicious of the idealizations and abstractions held dear by the first. The result is a poetry of "myopia and astigmatism".
Going beyond merely explaining how the artists in these genres achieved their peculiar effects, he presents challenging new analyses of telling craft details which help students and scholars come to know more fully this bold age of aesthetic extremism.
Quantum Poetics examines the appropriation of scientific metaphors by modernist poets as part of their search for the pre-verbal origins of poetry. Daniel Albright shows how modernism used models supplied by physicists to create a whole new way of thinking of poetry and science as two different aspects of the same reality.
This work offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others - all of which combine with Daniel Albright's commentary to place modernist music in the context of a broader intellectual history.
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