Bøger af Daniel Balderston

Despite the explosion of critical writing on gender and sexuality, relatively little work has focused on Latin America. The authors state that the study of sexuality in Latin America requires a break with the dominant Anglo-European model of gender.

A distinguished poet and essayist and one of the finest writers of short stories in world letters, Jorge Luis Borges deliberately and regularly altered his work by extensive revision. In this volume, renowned Borges scholar Daniel Balderston undertakes to piece together Borges's creative process through the marks he left on paper. Balderston has consulted over 170 manuscripts and primary documents to reconstruct the creative process by which Borges arrived at his final published texts. How Borges Wrote is organized around the stages of his writing process, from notes on his reading and brainstorming sessions to his compositional notebooks, revisions to various drafts, and even corrections in already-published works. The book includes hundreds of reproductions of Borges's manuscripts, allowing the reader to see clearly how he revised and "e;thought"e; on paper. The manuscripts studied include many of Borges's most celebrated stories and essays--"e;The Aleph,"e; "e;Kafka and His Precursors,"e; "e;The Cult of the Phoenix,"e; "e;The Garden of Forking Paths,"e; "e;Emma Zunz,"e; and many others--as well as lesser known but important works such as his 1930 biography of the poet Evaristo Carriego. As the first and only attempt at a systematic and comprehensive study of the trajectory of Borges's creative process, this will become a definitive work for all scholars who wish to trace how Borges wrote.

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The enormous body of short story anthologies from the nineteen countries of Spanish America and Brazil testifies to their importance for writers, editors, readers, and, especially, for schools and universities, teachers and students.

Argues for Ocampo's multifaceted development of ambiguity in various media and genres on the levels of language, plot and gender.

An NYRB Classics OriginalThus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century's great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious. Italo Calvino has written that no other writer "better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us." Jorge Luis Borges flatly declared, "Silvina Ocampo is one of our best writers. Her stories have no equal in our literature."Dark, gothic, fantastic, and grotesque, these haunting stories are among the world's most individual and finest.