Bøger af Daniel Coleman

This short handbook is a practical and accessible guide to the statistical design and analysis of 2-level, multi-factor experiments of the kind widely used in industry and business. Written for technologists and researchers, it forgoes the usual heavy statistical overlay of typical texts on this subject by focusing on a limited catalog of standard designs that are useful for commonly encountered problems. These design choices are based on relatively recent developments in design projectivity, and their analysis requires nothing more than simple plots of the data: neither special expertise nor complex software is needed. Numerous examples show how to carry out this program in practice. Even though the statistical content of the handbook has been deliberately limited, it nevertheless discusses several practical matters that are rarely included in more comprehensive treatments, but which are vital for experimental success. Among these are the realities of randomization versus split-plotting, the importance of identifying the experimental unit, and a discussion of replication that argues that it is generally not worth the effort. Readers with some prior statistical exposure -- and statisticians -- may also be surprised to find that p-values do not appear anywhere in the book, and that in fact the authors explicitly argue against their use. Those new to the ideas of Statistical Design of Experiments (DOE)-- or even those who have some familiarity but would like greater insight and simplicity -- should find this handbook an effective way to learn about and apply this powerful technology in their own work.

In White Civility Daniel Coleman breaks the long silence in Canadian literary and cultural studies around Canadian whiteness and examines its roots as a literary project of early colonials and nation-builders.

The Foreigner (1909) tells the story of Kalman Kalmar, a young Ukrainian immigrant working in rural Saskatchewan. It addresses the themes of male maturation, cultural assimilation, and a form of muscular Christianity recurring in Connors popular Western tales. Daniel Colemans afterword considers the texts departure from Connors established fiction formulas and provides a unique framework for understanding its depiction of difference.

As the pink-skinned, fair-haired child of Canadian missionary parents, DANIEL COLEMAN grew up with an ambivalent relationship to the country of his birth. He was clearly different from his Ethiopian playmates, but because he was born there and knew no other home, he was not completely foreign. Like the eucalyptus, a tree imported to Ethiopia from Australia in the late 19th century to solve a firewood shortage, he and his missionary family were naturalized transplants. As "ferenjie, they endlessly negotiated between the culture they brought with them and the culture in which they lived. In "The scent of Eucalyptus, Coleman reflects on his experience of "in-betweenness" amid Ethiopia's violent political upheavals. His intelligent and finely crafted memoir begins in the early 1960s, during the reign of Haile Selassie. It spans the Emperor's dramatic fall from power in 1974, the devastating famines of the mid-1970s and early 1980s, and Mengistu Haile Mariam's brutal 20-year dictatorship. Insightful chapters touch on everything from the riot drills at Coleman's boarding school to the paradoxical taste for luxury he gained as a result of international famine relief efforts.

This book will help men and women while they are in prison and when they get out of prison it will help them to stay out. The book gives important steps to staying away from drugs and helps them live productive lives.

Examines the representation of masculinities in the work of some of Canada's most exciting writers, including Michael Ondaatje, and Rohinton Mistry, to show how cross-cultural migration disrupts assumed codes for masculine behaviour and practice.

While reading is a deeply personal activity, paradoxically, it is also fundamentally social and outward-looking. Daniel Coleman, a lifelong reader and professor of literature, combines story with meditation to reveal this paradox and illustrate why, more than ever, we need this special brand of "quiet time" in our lives. In Bed with the Word sparks with every conceivable enticement for those who worry about living in a culture of distraction and who long to reconnect with something deeper.