Bøger af Daniela Freiberg

NESS.docs on Hashim Sarkis Studios has two parts: Projects and Dialogues. The first section includes enticing visual documentation on HSS's projects (Balloon Landing Park, Housing for the Fishermen, Daily Mosque, Town Hall & Park, Float Pavilion, Watermelon Landscape, and Courtowers) complemented by critical remarks by Nader Tehrani and Sarkis. In the Dialogues section issues an interview to Sarkis by editors, Florencia Rodriguez and José Mayoral, a conversation between Angelo Bucci and Sarkis, and a discussion between Stan Allen, Kenneth Frampton, and Sarkis."Architecture simultaneously responds to two parallel and seemingly contrasting inputs. First, to the internal concerns of the architect who seeks to react to his own intellectual, emotional or social preoccupations through built work. In some cases, that internal impulse inspires the architect to materialize the same interest again and again, through every work. Second, there are specific requirements for each built work: an encounter with reality and the need to consider the context, people and society, all factors which make every architectural project a highly specific venture. This secondary input provides a solution for challenges that can at first seem extremely undefined. In the case of Hashim Sarkis, such dialectic relationships are expressed throughout one consistent focus: the relationship between the sky and the ground. This relationship is present in every work despite diverse contexts, that bring singularity to every architectural project. Through his numerous built works, we have seen the many ways in which sky and ground can be constructed, framed, viewed, approached, dis-covered, and reinterpreted. A rich set of operations redefine the challenges present throughout every built work: how does a building emerge from a discrete plane and close towards the infinite sky? How do we negotiate the certainties of reality with the uncertainties of that which we cannot measure, that which is not only void, but that in its dynamic movements and constant transformations imprints upon the real? By the real, we mean the façades of buildings, the reflection of windows, and all of the internal and external attributes of the built fabric as well as those of landscapes with color, temperatures, humidity, and, of course, the passing of time that is registered in every component, except in the sky." (Extract of Jose Mayoral & Felipe Vera's opening essay, "Understanding a Reflective Practice: Drawing the Third Line")

NESS is a printed publication about architecture, life, and urban culture. We are in continuous dialogue with provocative designers and thinkers to expand and diversify our conversations and to be open to new visions and ideas. It is divided into Browser, The Dossier, and Documents.NESS 2 focuses on planetary representations: MAD WORLD PICTURES. In our second issue's Browser we visit design studio LaFeliz, Luis Úrculo's landscapes, and the research enterprise of Feminist Architecture Collaborative. Picking up on the question "What are the limits to the possible?" posed by Jean-Luc Nancy, The Dossier places the issue of planetary representations at center: Richard Saul Wurman recounts maps as a tool for understanding; Alexandra Arènes and Bruno Latour develop new cartographies of The Earth; Giuliana Bruno defines 'tender mapping; the exhibition Walls of Air drafts the immaterial barriers of Brazil's architecture and territory; and Fake Industries speculate on the sudden invention of the Indo-Pacific Region. Also, Uriel Fogué, Parasite Lab, María Jérez, Jesse LeCavalier, and Sophia Al Maria dared to play with an exquisite corpse via email.In Documents, we talked to Michael Maltzan: learnt about his beginnings, the office and its projects, as well as his commitment to architecture as a culture building practice. Finally, we interviewed Ensamble Studio in the Cyclopean House. We looked into the span between prefabrication and their most dramatic landscape structures.

NESS isa printed magazine on architecture, life, and urban culture which intends to address diverse ways of thinking about the built environment and singular phenomena while expanding and transforming contemporary dialogues.For the Spring 2018 issue, NESS warms up with a selection of the nine installations that rocked 2017 and further browses through the work of Eleni Petaloti & Leonidas Trampoukis, whose sibling practices-LOT and objects of common interest-shift from one scale to another with subtle sophistication. Plus, Berlin-based architect Lena Wimmer presents her utmost experimental projects.Next, NESS headed to Detroit and dedicates a 38-page survey to draw a portrait of the city through their own curious and questioning lenses. The editors went to the Planning and Development Department and talked to authorities, designers, architects, community representatives, and developers shaping the former Motor-City.In the Dossier section, "Between Cozy History and Homey Technics", architects, critics, and thinkers were asked to provocatively discuss the intellectual and pragmatic set of tools at hand: Stan Allen and Jesus Vassallo talk about photography and the built environment as a filter of abstraction; Enrique Ramirez and Mimi Zeiger reflect on the aesthetics-or lack thereof-in contemporary representation technics; Emanuel Christ and Camilo Restrepo imagine the type as a vehicle for ideas to travel through building cultures; and Sharon Johnston and Florencia Rodriguez exchange views on curating in architecture. Lastly, NESS crew flew to Chicago, Vienna, Seoul, and Valparaiso to review the latest events and reflect upon the biennial phenomenon.And, finally in Documents, NESS sat down with two acclaimed architecture offices: French Bruther and New York-based SO - IL to get to know each of their practice, processes, and projects in a comprehensive interview, detailed drawings and photographs.