Bøger af Daphne Du Maurier

Sir Gerald du Maurier was the most celebrated actor-manager of his day, knighted for his services to the theatre in 1922. Published within six months of her father's death, this frank biography was considered shocking by many of his admirers - but it was a huge success, winning Daphne du Maurier critical acclaim and launching her career.In Gerald: A Portrait, Daphne du Maurier captures the spirit and charm of the charismatic actor who played the original Captain Hook, amusingly recalling his eccentricities and his sense of humour, and sensitively portraying the darker side of his nature and his bouts of depression.A remarkable book . . . brilliant comic writing - The Times

As a young guide for Sunshine Tours, Armino Fabbio leads a pleasant, if humdrum life - until he becomes circumstantially involved in the death of an old peasant woman in Rome.The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames during the war.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident...She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian

As a bold and gifted child, Branwell Bronte's promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low.With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of his sisters.Daphne du Maurier concentrates all her biographer's skill on the shadowy figure of Branwell Bronte, and no reader could fail to be intensely moved by Branwell's final retreat into laudanum, alcohol - and death

Both her novels and her non-fiction reveal Daphne du Maurier's overwhelming desire to explore her family's history. In Myself When Young, based on diaries that she kept from 1920-1932, the most famous du Maurier probes her own past, beginning with her earliest memories and encompassing the publication of her first book and her subsequent marriage.Here, the writer is open and sometimes painfully honest about the difficult relationship with her father; her education in Paris; early love affairs; her antipathy towards London life and the theatre; her intense love for Cornwall and her desperate ambition to succeed as a writer. The resulting portrait is of a captivating and complex character.A delightful book, full of amusing and charming stories, pinpointing the literary influences and the first stirrings of books to be written in later years, and with a happy and romantic ending - THE TIMES

'Someone jolted my elbow as I drank and said, "e;Je vous demande pardon,"e; and as I moved to give him space he turned and stared at me and I at him, and I realised, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well.I was looking at myself.'By chance, two men - one English, the other French - meet in a provincial railway station. Their resemblance is uncanny, and they spend the next few hours talking and drinking - until at last John, the Englishman, falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing...A good original novel, well tinged with nightmare - Times Literary Supplement

'How long he fought with them in the darkness he could not tell, but at last the beating of the wings about him lessened and then withdrew . . . 'A classic of alienation and horror, 'The Birds' was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world. The mountain paradise of 'Monte Verit ' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

A magician, a virtuoso. She can conjure up tragedy, horror, tension, suspense, the ridiculous, the vain, the romantic - Good Housekeeping 'Mary Farren went into the gun room one morning about half-past eleven, took her husband's revolver and loaded it, then shot herself. The butler heard the sound of the gun from the pantry...'The fourteen haunting stories in this collection span the whole of Daphne du Maurier's writing career and explore every human emotion: an apparently happily married woman commits suicide; a steamer in wartime is rescued by a mysterious sailing-ship; a dull husband breaks loose in a surprising fashion; a con woman plays her game once too often; and a famous novelist looks for romance, only to meet with bitter disappointent. Each meticulously observed tale shows du Maurier's mastery of the genre.

In this prescient novel, Daphne du Maurier explores the implications of leaving Europe for a political, economic and military alliance with the United States.'It is rather awful, Emma thought as she walked across the fields down to the farm, how this business is leading us all into subterfuge and deception, and we can't really tell who is friend and who is enemy . . . 'Emma wakes up one morning to an apocalyptic world. The cosy existence she shares with her grandmother, a famous retired actress, has been shattered: there's no telephone, no radio - and an American warship sits in the harbour. England has withdrawn from the European Common Market and, on the brink of bankruptcy, has decided that salvation lies in a union - political, military and economic - with the United States. Theoretically it is to be an equal partnership, but it soon begins to look like a takeover bid.As the two women piece together clues about the 'friendly' military occupation on their doorstep, family, friends and neighbours come together to resist the interlopers.The spirit of Britannia embodied - SUNDAY TELEGRAPH

This book of occasional pieces from Daphne du Maurier's workshop is good to have: it is something of a continuation of her autobiography MYSELF WHEN YOUNG. The title piece is the remarkable Notebook she kept when REBECCA was forming itself in her mind -- the book that made her a worldwide bestseller and conquered both stage and films and ... television. The other pieces are mainly autobiographical but have no less variety than charm.'Her devoted readers will not be disappointed' SPECTATOR

The apathy of Sunday lay upon the streets. Houses were closed, withdrawn."e;They don't know,"e; he thought, "e;those people inside, how one gesture of mine, now, at this minute, might alter their world. A knock on the door, and someone answers - a woman yawning, an old man in carpet slippers, a child sent by its parents in irritation; and according to what I will, what I decide, their whole future will be decided . . . Sudden murder. Theft. Fire."e; It was as simple as that.'In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent.

Prior to the publication of this biography, the elusive Anthony Bacon was merely glimpsed in the shadow of his famous younger brother, Francis.A fascinating historical figure, Anthony Bacon was a contemporary of the brilliant band of gallants who clustered round the court of Elizabeth I, and he was closely connected with the Queen's favourite, the Earl of Essex. He also worked as an agent for Sir Francis Walsingham, the Queen's spymaster, living in France where he became acquainted with Henri IV and the famous essayist Michel de Montaigne.It was in France that du Maurier discovered a secret that, if disclosed during Bacon's lifetime, could have put an end to his political career . . . Du Maurier did much to shed light on matters that had long puzzled historians, and, as well as a consummate exercise in research, this biography is also a strange and fascinating tale.A landmark book on a much-neglected figure, containing ground-breaking research . . . Vintage du Maurier - a page-turner, and a thundering good read! - Lisa Jardine

Many accounts of the life of Francis Bacon have been written for scholars. But du Maurier's aim in this biography was to illuminate the many facets of Bacon's remarkable personality for the common reader.To her book she brought the same gifts of imagination and perception that made her earlier biography, Golden Lads, so immensely readable, siklfully threading into her narrative extracts from contemporary documents and from Bacon's own writings, and setting her account of his life within a vivid contemporary framework.This is truly history made alive.Unlike many authors of popular historical biographies, du Maurier resembled Antonia Fraser in being an indefatigable researcher - Francis King

When Daphne du Maurier wrote this book she was only thirty years old and had already established herself both as a biographer, with the acclaimed Gerald: A Portrait, and as a novelist. The Du Mauriers was written during a vintage period of her career, between two of her best-loved novels: Jamaica Inn and Rebecca.Her aim was to write her family biography 'so that it reads like a novel' and it was due to du Maurier's remarkable imaginative gifts that she was able to breathe life into the characters and depict with affection and wit the relatives she never knew, including her grandfather, the famous Victorian artist and Punch cartoonist - and creator of Trilby.'Miss du Maurier creates on the grand scale; she runs through the generations, giving her family unity and reality . . . a rich vein of humour and satire . . . observation, sympathy, courage, a sense of the romantic, are here' Observer

She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian ----------------------------------------------------------------------------------------------------------------------------------------------------Both a spellbinding love story and a superb evocation of Cornwall's mythic past, Castle Dor is a book with unique and fascinating origins. It began life as the unfinished last novel of Sir Arthur Quiller-Couch, the celebrated 'Q', and was passed by his daughter to Daphne du Maurier whose storytelling skills were perfectly suited to the task of completing the old master's tale.The result is this magical, compelling recreation of the legend of Tristan and Iseult, transplanted in time to nineteenth-century Cornwall. A chance encounter between a Breton onion-seller, Amyot Trestane, and the newly-wed Linnet Lewarne launches their tragic story, taking them in the fateful footsteps of the doomed lovers of Cornish legend . . .

'His first instinct was to stretch out his hands to the sky. The white clouds seemed so near to him, surely they were easy to hold and to caress, strange-moving things belonging to the wide blue space of heaven . . . 'Julius Levy grows up in a peasant family in a village on the banks of the Seine. A quick-witted urchin caught up in the Franco-Prussian War, he is soon forced by tragedy to escape to Algeria. Once there, he learns the ease of swindling, the rewards of love affairs and the value of secrecy. Before he's twenty, Julius is in London, where his empire-building begins in earnest, and he becomes a rich and very ruthless man. Throughout his life, Julius is driven by a hunger for power, his one weakness his daughter, Gabriel . . . A chilling story of ambition, Daphne du Maurier's third novel has lost none of its ability to unsettle and disturb.

Daphne du Maurier's lushly written novel . . . is a rapturous celebration of the beauties of the Cornish landscape - Michele Roberts ----------------------------------------------------------------------------------------------------------------------------------------------------Cornwall, 1900s. Plyn Boat Yard is a hive of activity, and Janet Coombe longs to share in the excitement of seafaring: to travel, to have adventures, to know freedom.But constrained by the times, instead she marries her cousin Thomas, a boat builder, and settles down to raise a family.Janet's loving spirit - the passionate yearning for adventure and for love - is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain. Her debut novel, The Loving Spirit established du Maurier's reputation and style with an inimitable blend of romance, history and adventure.

Du Maurier is in a class by herself.New York TimesPerhaps best known for her immortal gothic masterwork Rebeccathe basis for the Academy Award-winning motion picture directed by Alfred HitchcockDaphne de Maurier began her illustrious writing career penning short stories. In The Doll, thirteen of du Mauriers early shorter fictional works have been collectedeach story written before the authors twenty-third birthday and some in print for the first time since the 1930s. Compelling tales of human foibles and tragic romance, the stories in The Doll represent the emergence of a remarkable literary talent who later went on to create Jamaica Inn, The Birds, and other classic works. This breathtaking collection of short fiction belongs on the bookshelf of every Daphne du Maurier fan.

John and Laura have come to Venice to try and escape the pain of their young daughter's death.But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events.The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist who harnesses the power of the mind to chilling effect."e;Don't Look Now"e; is a strange and intimate masterpiece: a perfect distillation of the confusion and desire that attend grief, which, as the story progresses, adventures forward through the winding streets of Venice with the logic of nightmare. - Ethan Rutherford: http://www.npr.org/2013/05/19/177638074/ghost-ships-murders-bird-attacks-stories-to-keep-you-awake

Der hviler mørke skygger over den rige Maxim de Winter og hans gods Manderley. Skygger fra fortiden, der langsomt ændrer den første lykkelige tid, han oplever med den unge fattige kvinde, der bliver hans anden hustru. Hvad skete der mellem Maxim de Winter og hans første kærlighed, Rebecca? Og hvordan kan Rebecca genopstå fra de døde og true det liv, romanens heltinde ønsker sig så brændende? Det er de spørgsmål, der giver romanen dens utrolige styrke, og det er den styrke, der holder læseren fanget fra den allerførste sætning: ""I nat drømte jeg, at jeg kom tilbage til Manderley."" Rebecca blev filmatiseret i 1940, instrueret af Alfred Hitchcock.

Overnaturlige og usædvanlige begivenheder forbinder disse fem noveller fra dronningen af gotisk litteratur Daphne du Maurier.En blæsende vinternat flyver store, sorte fugle pludselig ind ad et åbent vindue i en lille engelsk by i det ellers så idylliske Cornwall og går med baskende vinger, skarpe kløer og hæse skrig til angreb på husets beboere. Og dét er kun begyndelsen i Daphne du Mauriers nervepirrende thriller-novelle "Fuglene", som blev filmatiseret afAlfred Hitchcock i 1963.I "Skyggen i Venedig", som blev filmatiseret af Nicolas Roeg i 1973 under titlen "Rødt chok", tager ægteparret Baxter til Venedig for at komme sig over deres datters død. Her møder de sørgende forældre et par ældre søstre, hvoraf den ene hævder at være synsk og have fået kontakt med det døde barn. Da parrets søn bliver syg, kaldes moderen hjem til England, og herefter ser faderen igen og igen en lille pige i Venedigs labyrintiske gader. Det barn, som måske, måske ikke er hans afdøde datter, er iklædt en rød frakke ... Virkelighedens rammer skrider, og samtidig er der en morder løs.Daphne du Maurier (1907-1989) blev født ind i en kreativ familie, hvor forældrene var skuespillere, onklen redaktør og bedstefaderen forfatter. Den kreative miljø opfostrede du Maurier, der senere selv blev forfatter. Hun skrev 29 romaner og noveller, der spænder fra gotiske fortællinger, biografier, historisk fiktion til skuespil og science fiction. Som et af 1900-tallets mest betydningsfulde arvtagere til den gotiske litteratur er du Maurier især kendt for romanen "Rebecca" fra 1938 og novellen "Fuglene" fra 1952, der begge er filmatiseret af Alfred Hitchcock. I England sammenlignes hun med Karen Blixens gotiske fortællinger, der ligesom du Maurier kredser om det romantiske 1800-tal.

Philip Ashley travels to Italy to find his cousin Ambrose has died suddenly and Rachel, Ambrose's wife, has gone. Philip returns to England convinced Rachel was responsible for Ambrose's death, hoping to inherit his possessions. When Rachel arrives in England Philip falls in love with her. One small event after another causes a kind of see-saw of belief and disbelief. Is Rachel a scheming murderess or a grossly maligned woman?2 women, 5 men

Based on a short story by Daphne du Maurier. Spending a holiday with her family in a luxury hotel during a heat-wave, Marie finds life with her conservative, passionless husband suffocatingly repressive. He is unexpectedly called away on business and, inspired by hints dropped by her easy-going friend Elise, Marie starts an affair with a handsome young photographer, undeterred by the fact that he has a club-foot. The brief infatuation brings tragedy and horror, leading to the photographer's death, a threat of blackmail by his sister, also club-footed, and finally an even more fearful dread, following an innocent remark by Marie's husband, that such deformities are sometimes inherited, latent in an unborn child.|4 women, 3 men, 2 girls

In a Cornish house lives the widowed Stella, a woman of considerable gifts and beauty who regularly rejects proposals of marriage from her neighbour Robert Hanson. Cherry, Stella's daughter, brings home her artist husband Evan for the first time and Stella is shocked by the bohemian incompleteness of their marriage. She finds herself attracted to Evan and soon they are passionately in love: although much is left unspoken, Evan eventually compels Stella to admit her feelings.-3 women, 3 men

A range of beautifully produced products celebrating the heritage of the Virago Modern Classics list.

This reader is accompanied with a CD that contains the full audio of the text in MP3 format. After the death of his beautiful wife Rebecca, Maxim de Winter goes to Monte Carlo to forget the past. There he meets and marries a quiet young woman and takes her back to Manderley, his family home in Cornwall. But will the memory of Rebecca destroy the new marriage?

Following the death of their young daughter, John and Laura visit Venice to try and escape their grief. But when the couple meet two aged sisters, one of them claims to have psychic visions of the dead girl.

When her mother dies, Mary Yellan goes to live with her aunt and uncle at Jamaica Inn. Strange things happen there at night, and Mary slowly discovers that she and her aunt are in terrible danger. Can she save herself and her aunt before it is too late?

* This companion to the work of one of Britain's best-loved novelists celebrates the centenary of her birth.