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This book tells the story of the reclusive artist, raised in a Dublin tenement, who ahead of Harry Clarke, Wilhelmina Geddes and Evie Hone, established the bar for artistic and technical excellence in this exacting craft, and who worked at the world-renowned An Tú r Gloine (Tower of Glass) studio for almost four decades. Lavishly illustrated, it charts Healy's stained glass career and features images of all his principle windows in Ireland and on three continents - windows that convey everything from austere majesty to tender humanity, often revelling in beguiling narrative detail. In his spare time Healy surreptitiously recorded Dubliners going about their daily business, producing many, many hundreds of charming, rapidly executed pencil and watercolour images which collectively form a homage to the citizens of the city he loved.
To understand why it took France so long to react to the AIDS crisis, this work analyzes the intersections of three discourses - the literary, the medical and the political - and traces the origin of French attitudes about AIDS to 19th century anxieties about nationhood, masculinity and sexuality.
Beginning with the history of the Marais and his personal connection to the district, David Caron proposes a rethinking of community and looks at how Jews, Chinese immigrants, and gays have made the Marais theirs.
In Gulf War Reparations and the UN Compensation Commission: Environmental Liability, experts who held leadership positions with the UNCC draw on their experience with the institution and provide a comprehensive view of the United Nations Compensation Comission and its work in the aftermath of the Gulf War.
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