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Interrogating the movement's alleged atheistic underpinnings, David Faflik contends that transcendentalism reconstituted the religious sensibilities of 1830s and 1840s New England, producing a dynamic and complex array of beliefs and behaviours that cannot be categorized as either religious or non-religious.
This book examines how the city peoples of New York and Paris interpreted their urban surroundings during the middle decades of the nineteenth century. At the center of this examination are the literary, material, political, and visual forms which afforded contemporaries new ways of "reading" the modern metropolis.
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