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Six-time Obie Award-winning actor and playwright David Greenspan has adapted Thornton Wilder's Pulitzer Prize-winning novel into a lyrical fable of fate, love and the transformative magic of theater. This quiet masterpiece - a dazzling rumination on the nature of love - is a richly multifaceted tale of five travelers in colonial Peru who are hurled to their deaths by a collapsing bridge.--
David Greenspan's One Person Holds So Much Silence explores the intersection of physical and emotional traumas through surprising and jaw-dropping language. Simultaneously lush and bizarre, the poems in One Person Holds So Much Silence culminate in a striking deep-dive into the pain and experiences of existing within a body. From self-harm to suicidal ideation, Greenspan tackles these harrowing topics through writing brimming with original language and wrought empathy.
In She Stoops to Comedy, Alexandra Page, a self-involved actress, known for her portrayals of tragic heroines, disguises herself as a man in order to play Orlando opposite her girlfriend, Alison Rose, who has been cast as Rosalind in an out-of-town production of As You Like It. Because the role of Alexandra is played by a man, her transformation does not require the use of drag. And because the other actors in the As You Like It cast are friends of Alexandra and Alison - and
In Go Back to Where You Are God offers Passalus, a failed actor from ancient Athens festering in hell, the opportunity of redemption by returning to Earth to free a young woman from her domineering mother, Claire, a distinguished stage actress. Passalus accepts the proposal with the understanding that on completing his mission his soul be annihilated. God agrees - with the caveat that Passalus not become entangled in the lives of others. Granted the ability to shape-shift, Passalus assume
Playwright and actor David Greenspan has been a leading figure in Manhattan's downtown performance scene for over twenty years. This brings together five of Greenspan's most important works, accompanied by a critical introduction and new interview with the playwright.
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