Bøger af David Hawkes

A collaborative work by David Hawkes, LG Williams, and Alan Rubin. The Estate of LG Williams is proud to present this publication for LG Williams's recent body of work -- the SoCal Mid-Rise Multi-Story series. In these pictures, Williams merges Thiebaud's now canonical compositions of Sacramento Valley landscapes, San Francisco cityscapes, and assorted pastries. But this is where familiarity and transparency ends. As the viewer looks into the illuminated windows, the mysteries compound and multiply-forms transform into reflections, reflections into abstract thought. They are made expressly for our age-the age of the image. The text, entitled Bullchild, tells of a Mexican illegal immigrant who, inspired by an aging East German Communist Art History Professor, attempts to make his name on the L.A. gallery scene by pretending to be Persian, dressing up as a matador and inventing a movement called "Pedo-Taurinism." Based on a true story. # # # # #

This book supplies that deficiency, providing an ethical critique of performative representation as it is manifested in semiotics, linguistics, philosophy, poetics, theology and economics. and second, by locating efficacious representation in its historical context, thus connecting it to idolatry, magic, usury and similar performative signs.

A guide to the myriad definitions and meanings of "ideology", this title traces the history of the term and the debates which surround it, from Machiavelli to the present day; asks why ideology matters; and examines ideology within the critical frameworks of empiricism, idealism, Marxism, post-Marxism and postmodernism.

The deepest and most varied of the Tang Dynasty poets, Tu Fu (Du Fu) is, in the words of David Hinton, the "first complete poetic sensibility in Chinese literature." Tu Fu merged the public and the private, often in the same poem, as his subjects ranged from the horrors of war to the delights of friendship, from closely observed landscapes to remembered dreams, from the evocation of historical moments to a wry lament over his own thinning hair. Although Tu Fu has been translated often, and often brilliantly, David Hawkes's classic study, first published in 1967, is the only book that demonstrates in depth how his poems were written. Hawkes presents thirty-five poems in the original Chinese, with a pinyin transliteration, a character-by-character translation, and a commentary on the subject, the form, the historical background, and the individual lines. There is no other book quite like it for any language: a nuts-and-bolts account of how Chinese poems in general, and specifically the poems of one of the world's greatest poets, are constructed. It's an irresistible challenge for readers to invent their own translations.