Bøger af David Jasper

A novel perspective on a hitherto neglected aspect of Victorian medievalism.

These essays set out to consider the possible future of theology in the light of the so-called postmodern condition. They are necessarily deeply interdisciplinary, since it is a characteristic of post-Enlightenment thought to disintegrate the lines of definition which separate areas of reflection in the human sciences. Theology, we believe, must be exposed to the consequences of what has happened in literature and critical theory if it is to have any future outside the protected and isolated environment of ecclesia and the communities of the faithful.The authors represent a great diversity of opinion and discipline. Not all of us would agree with one another, and certainly there is no agreement as to what constitutes postmodernity. Yet this very diversity forms the strength and importance of the book, for there are no simple answers or straightforward definitions. Theology must recognize the pluralism within which it now must carry out its task and which alone defines its future. The keynote of the discussion is the tragic. Tragedy takes us back to the Greeks, and to Nietzsche. Both feature centrally in this presentation. It also suggests a future, a return, perhaps, through literature to theology, and not merely an end of the story as it has been traditionally sold.

""Canonical criticism"" is not a recognized branch of biblical studies--granting new focus to questions of the authority and truth of the scriptural writings. Developed within a critical sense of the dominant historical-critical tone of biblical studies, canonical criticism as it has been pursued by the American scholars Brevard S. Childs and James A. Sanders stands as witness to the theological necessity of a more literary approach to the Bible.This book both criticizes the ""canonical"" enterprise, and takes it much further into readings of the canon from the perspective not only of literature, but also art, and in particular the biblical art of Rembrandt. In addition, it remains acutely conscious of the contemporary environment of our reading within the political concerns of feminist criticism, popular absorption in film and the narratives of the screen, and finally the crisis, or crises, which characterize the so-called ""postmodern condition.""What emerges is at once highly critical of traditional strategies of canonization, and at the same time constructive and concerned to recover the Bible for our own time in readings which move outside the limited academic concerns of the biblical critic or the institutions of the church and religious community.

This book focuses on some of the greatest writers and artists of European Romanticism, including S. T. Coleridge, Wordsworth, J. M. W. Turner, Goethe, Holderlin, and, in the later nineteenth century, Matthew Arnold. Concluding with a discussion of the significance of Romanticism for our understanding of postmodernity, its various chapters explore the place of the biblical canon as the central element in the shift from the sacred to the secular, and the place of the Bible in the development of our concept of Weltliteratur, or world literature, as definitive of culture. In Romanticism, the Bible is situated between two worlds--the ancient and the modern--and remains central in our postmodern world as the power of traditional religious language fades and gives way to new perceptions of the sacred in poetry and art. This book will be of interest to all concerned with art, literature, and the development of biblical criticism and religious thought.

Literature and religion are never far apart. The greatest literary achievements of the West, from Aeschylus to Dante to Shakespeare, cut deeply into the soul of humanity and stir in us those ultimate questions of existence, truth, and beauty which can only be answered, if they are ever answered at all, by religious commitment or the equally passionate rejection of theology and its speculation.- from the General Editor's Preface

Heaven in Ordinary is like a love affair with poetry that engages with religious questions, for good or ill, concerned with five poets who are haunted by God. Poets, in times of great faith and times of doubt, have expressed for us their sense of both the presence and the absence of God in language that is sometimes almost sacramental in its weight of beauty, love, fear, anger or despair. The poets considered here all relate, in some way, to the traditions of Anglicanism through the centuries, reflecting both a common humanity and a wide breadth of human experience as it struggles with God. Heaven in Ordinary is deliberately autobiographical in approach, as it is grounded in David Jasper’s own lifetime experience of reading poetry since his school years, and over four decades as a priest. The poets he so beautifully discusses have related both positively and negatively to the Christian faith and the Anglican tradition. Some are deeply religious, others are haunted by God and the divine mystery.

The Sacred Desert is a reflection on the role of the desert in theology, history, literature, art and film. * An original reflection on the role of the desert in theology, history, literature, art and film. * Discusses figures as diverse as Jesus, the early Christian Desert Fathers, T.E. Lawrence, T.S.

Hermeneutics defines the rules used to search out the meaning of Scripture. Throughout church history, interpreters have approached biblical interpretation in different ways, using different tools and methods. This book conveniently and accessibly surveys major biblical interpreters and approaches to hermeneutics from the patristic period to...

This volume is the fourth instalment of the 'Report on the state of the European Union' series. Its shows that if the EU does not want to be ruled by crisis any longer, it must invest in sustainability, political, economic, social and environmental. Europe must turn this elusive and ever-threatening 'crisis' into a chosen and meaningful transition.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years

From art and architecture to pilgrimage and politics Jasper places this community in the midst of the contemporary world.--Bradley Johnson "Literature and Theology Journal"

A deeply autobiographical journey through disparate written texts (in literature, philosophy, theology and religion), art, and cinema, The Sacred Body rigorously and artfully pursues the body of the Christian tradition of "the Word made flesh" - a body torn and crucified, resurrected, and divinized, embracing both deep suffering and profound joy.

The introduction to a series of interdisciplinary titles, both monographs and essays, concerned with matters of literature, art and textuality within religious traditions founded upon texts and textual study.