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In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce.
'The mind is a time machine that travels backwards in memory and forwards in prophecy, but he has done with prophecy now...'Sequestered in his blitz-battered Regent's Park house in 1944, the ailing Herbert George Wells, 'H.G.' to his family and friends, looks back on a life crowded with incident, books, and women.
'One of the very best English comic novelists of the post-war era' Time OutThe plot lines of The Campus Trilogy, radiating from its hub at the redbrick University of Rummidge, trace the comic adventures of academics who move outside familiar territory.
From the author of the Booker Prize finalist Small World. Adrian Ludlow, a novelist with a distinguished reputation and a book on the "A" level syllabus, is now seeking obscurity in a cottage beneath the Gatwick flight path. His university friend Sam Sharp, who has become a successful screenwriter, drops in on the way to Los Angeles, fuming over a vicious profile of himself by Fanny Tarrant, one of the new breed of Rottweiler interviews, in a Sunday newspaper. Together they decide to take revenge on the interviewer, though Adrian is risking what he values most: his privacy. David Lodge's dazzling novella examines with wit and insight the contemporary culture of celebrity and the conflict between the solitary activity of writing and the demands of the media circus. "Sharp, intelligent, surprising and fun."-The Times "Lodge is pure dazzling style, book after book, in his fusion of form and content."-The New Republic
By all appearances, Laurence Passmore is sitting pretty. True, he is almost bald and his nickname in "Tubby", but the TV sitcom he writes keeps the money coming in, he has an exclusive house in Rummridge, a state-of-the-art car, a vigorous sex life with his wife of thirty years, and a platonic mistress to talk shop with. What money can't buy, and his many therapists can't deliver, is contentment. It's not the trouble behind the scenes of his TV show that's bugging him or even the persistent pain in his knee; it's this deeper, nameless unease. Is it a spiritual crisis or just one of the midlife variety?Tubby's quest for the source of it will lead into an obsession with Kierkegaard, brushes with the police, gossip-column notoriety, and strange beds and bedrooms worldwide.
Philip Swallow, Morris Zapp, Persse McGarrigle and the lovely Angelica are the jet-propelled academics who are on the move, in the air and on the make in David Lodge's satirical Small World. It is a world of glamorous travel and high excitement, where stuffy lecture rooms are swapped for lush corners of the globe, and romance is in the air.
Euphoric State University with its whitestone, sun-drenched campus and England's damp red-brick University of Rummidge have an annual professorial exchange scheme, and as the first day of the last year of the tumultuous sixties dawns, Philip Swallow and Morris Zapp are the designated exchangees. They know they'll be swapping class rosters, but what they don't know is that in a wildly spiraling transatlantic involvement they'll soon be swapping students, colleagues, and even wives. Changing Places is a hilarious send-up of academic life, intellectual fashion, sex, and marriage by a writer Anthony Burgess has called "one of the best novelists of his generation."
David Lodge's frank and illuminating memoir about the years where he found great success as a novelist and critic. Anyone who is interested in learning about the creative process, about the dual nature of the novel as both work of art and commodity, will find Writer's Luck a candid and entertaining guide.
Writing about real lives takes various forms, which overlap and may be combined with each other: biography, autobiography, biographical criticism, biographical fiction, memoir, confession, diary. In these essays, the author considers some particularly interesting examples of life-writing, and contributes several of his own.
Helen Reed, a novelist in her early forties, still grieving for her husband who died suddenly a year before, is a visiting teacher of creative writing at a university where Ralph Messenger, a cognitive scientist with a special interest in Artificial Intelligence and an incorrigible womaniser, is director of a prestigious research institute.
A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin.
Throws light on the dominant literary form of two centuries, in its twin aspects as work of art and commodity. The first part of this book traces the history of the author's novel about Henry James. The essays in the second part pursue the themes of genesis, composition and reception in the work of other novelists.
Twentieth-Century Literary Criticism is an anthology of key representative works by fifty leading modern literary critics writing before the structuralist revolution. The critics collected together in this volume have been drawn from England, America and Europe, and each essay has been prefaced by an editor's introduction.
Now including a new introduction from the author, this major work from one of England's finest living writers is essential reading for all those who care about the creation and appreciation of literature.
In this title, David Lodge explores the representation of human consciousness in fiction, mainly English and American, in the light of developments in cognitive science, neuroscience and related disciplines. He includes essays on Charles Dickens, E.M. Forster, John Updike, Henry James and others.
Offers a collection of entertaining and thought-provoking essays on the relationship between creative writing, the teaching of the same and the task of dramatizing literary works for television and the stage.
In his astutely observed first novel, David Lodge ushers in a congregation of characters whose hopes, confusions and foibles play out alongside the celluloid fantasies of the silver screen.
'I drew my first breath on the 28th of January 1935, which was quite a good time for a future writer to be born in England...' The only child in a lower-middle-class London family, David Lodge inherited his artistic genes from his musician father and his Catholic faith from his Irish-Belgian mother.
The first collection of short stories from one of Britain's finest novelists and criticsA nameless man who has fallen out of love with life, refuses to get out of bed, with unexpected consequences.
Adrian Ludlow, a novelist with a distinguished reputation and a book on the 'A' level syllabus, is now seeking obscurity in a cottage beneath the Gatwick flight path.
As Tubby's life fragments under the weight of his self-obsession, he embarks - via Kierkegaard, strange beds from Rummidge to Tenerife to Beverly Hills, a fit of literary integrity and memories of his 1950s South London boyhood - on a picaresque quest for his lost contentment.
When Vic Wilcox (MD of Pringle's engineering works) meets English lecturer Dr Robyn Penrose, sparks fly as their lifestyles and ideologies collide head on. What, after all, are they supposed to learn from each other? But in time both parties make some surprising discoveries about each other's worlds - and about themselves.
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