Bøger af David Madden

"This memoir was composed after the author started having memories of events that occurred in his early lifetime, growing up in a gritty neighborhood in Depression-era Knoxville. The memories centered around his mother, Emily Merritt Madden, and her experiences dealing with poverty, a sometimes well-intentioned but never reliable husband, one son who ends up in prison and her other son, who later grows up to become one of Knoxville's greatest authors. The style of the manuscript mimics the way memories came to the author and, in some respects, the ways we recall the significant and insignificant events of our lives. The memoir is at once an intimate retelling of a fundamental relationship and a vivid evocation of an earlier place and time"--

A literary criticism on the works of author James M. Cain by David Madden.

James M. Cain was among the prominent member of the "hard-boiled" school of writing that characterized the 1930s and 1940s, one of the masters of the genre that included Dashiell Hammett and Raymond Chandler. His novels became such popular film noir classics as The Postman always Rings Twice, Double Indemnity, and Mildred Pierce, and his 1937 novel Serenade boldly portrayed its hero as a bisexual. Cain also taught journalism at various colleges in Maryland, wrote editorials for the New York World, and was for a brief time managing editor at The New Yorker. This is the first biography of James M. Cain written with the full cooperation of the late novelist's family.

The novella is the perfect medium for this wide-ranging author to explore the power of the imagination and of oral storytelling in the lives of his characters. Madden's unmatched scope in this collection could draw comparisons to Joseph Conrad, Henry James, Thomas Wolfe, and James M. Cain equally well.

For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832. In this stunningly original novel, Old London Bridge becomes a living, breathing character.

A gripping and thought-provoking work that is unlike any Civil War novel previously written, Sharpshooter takes us into the mind of one of the war's veterans as he attempts, years after the conflict, to reconstruct his experiences and to find some measure of meaning in them. A child of the divided East Tennessee mountain region, Willis Carr left home at age thirteen to follow his father and brothers on a bridge-burning mission for the Union cause. Imprisoned at Knoxville, he agreed to join the Confederate army to avoid being hanged and became a sharpshooter serving under General Longstreet. He survived several major battles, including Gettysburg, and eventually found himself guarding prisoners at the infamous Andersonville stockade, where a former slave taught him to read. After the war, haunted by his memories, Carr writes down his story, revisits the battlefields, studies photographs and drawings, listens to other veterans as they tell their stories, and pores over memoirs and other books. Above all, he embues whatever he hears, sees, and reads with his emotions, his imagination, and his intellect. Yet, even as an old man nearing death, he still feels that he has somehow missed the war, that something essential about it has eluded him. Finally, in a searing moment of personal revelation, a particular memory, long suppressed, rises to the surface of Carr's consciousness and draws his long quest to a poignant close. A compelling work of fiction from a writer who is both a gifted novelist and a distinguished student of the Civil War, David Madden's Sharpshooter invites us to see this signal episode in American history in a new way--to grasp its facts, to imagine what facts cannot convey, and to make the war our own.

When the first edition of David Madden's A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular-from 850 B. C. to the present-is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo

James M. Cain wrote some of the grittiest novels in American literature, including such classics as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce. James M. Cain: Hard-Boiled Mythmaker is a critical overview of the authors life, work, and legacy. An updated and expanded edition of two of David Maddens scholarly works on Cain, this new book improves upon the previous works by collecting the most essential writing on Cain by Madden into one volume. In addition to melding existing material, this work contains updated and new material, including fresh commentaries on later books, such as Rainbows End, Cloud Nine, and The Enchanted Isle, as well as later film adaptations, including Butterfly. It also responds to 40 years worth of criticism on Cain and reevaluates his influence.Providing an overview of all of Cains fiction, including an analysis of the major themes of his entire literary career, the book also describes Cains impact on and importance in 20th-century culture, film in particular. In addition to a biographical summary and thematic outline of Cains nearly 50-year career, Madden and Mecholsky examine how Cains works explore the nightmare consequences of the persistent American dream. Finally, Madden and Mecholsky consider Cains technical innovations of the novel and survey the major film adaptations of Cains novels.With its significant in-depth analysis and a foreword by Edgar-award winning author Max Allan Collins, this volume will be of interest to Cain scholars as well as anyone interested in 20th century American literature and film.

Though he has authored more than eleven novels, David Madden has been publishing short stories for all six decades of his active career. The Last Bizarre Tale consists of works that appeared in journals but that have not appeared together as a collection.