Bøger af David S. Areford

The essays gathered here are written by scholars of both medieval and Renaissance art history, demonstrating methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. The authors also contribute to important issues such as the study of gender, text and image.

Structured around the interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers.

"The conceptual artist Sol LeWitt (1928-2007) is best known for his programmatic wall drawings and modular structures, but alongside these works he generated more than 350 print projects, comprising thousands of lithographs, silkscreens, etchings, aquatints, woodcuts, and linocuts. This generously illustrated volume is the first to take a comprehensive look at LeWitt's significant yet underexplored printmaking practice. Drawing together new archival research, interviews, and careful material and visual analyses, David S. Areford brilliantly situates LeWitt's prints within the broader context of his serial-, system-, and rule-based approach to artmaking. The specific processes of print media, Areford argues, were perfectly suited for LeWitt's particular brand of conceptual art, in which the "idea becomes the machine that makes the art." With over 400 illustrations, many never before published, this study offers a more complete picture of LeWitt's oeuvre--and the essential place printmaking holds in it. The result will deepen the understanding not only of the variety of LeWitt's output but of the genealogy of his distinct geometric and linear formal language."--Publisher's description.

The essays gathered here are written by scholars of both medieval and Renaissance art history, demonstrating methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. The authors also contribute to important issues such as the study of gender, text and image.