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Fame, ambition, idols, spirituality, and death. Trinidad seamlessly blends his obsessions into lucid, inventive, memorable poems.
This suburban California coming of age navigates Trinidad's personal history in the shadow of Hollywood, against the dramas of the 1960s and '70s.
Collaborative poetry -- poems written by one or more people -- grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan's Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers' collaborative experiments resulted in the famous "Pull My Daisy." The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators' notes accompany many of the poems, giving a fascinating glimpse into the creative process.
"e;This magnum opus confirms David Trinidad's place in the poetic firmament: he is simply the best we have. A worthy successor to James Schuyler, Trinidad writes soulfully and sometimes photorealistically about the melancholy threshold where dolls and stars become inner objectsdirty, glamorous, destructible. Jacqueline Susann meets Sei Shonagon? Trinidad manages to combine neo-formalist abstraction with dripping gorgeous figuration: Bonnard's wet dream."e;Wayne Koestenbaum "e;This is a volume celebratory in tone, panoramic in scope, funny, and genuinely moving. Trinidad is at the center of what's relevant in his art. And this collection is more vital and more enjoyable than any single performance he has given thus far."e;D.A. Powell "e;Trinidad attends to the present to see into the past with such needle point precision it's like encountering a perfectly appointed movie set where personal memory crosses intimately with cultural memory. Poetic form in Trinidad's hands is a metaphor for staking a claim on the material world even as it slips away in a shimmery Hollywood dissolvea desperate, doomed reclamation of all that can never be held long enough."e;Robyn Schiff "e;Utterly deadpan and astonishingly fine"e; is how Publishers Weekly described the poems of David Trinidad. And here is the collection all David Trinidad fans have been waiting forthe first book to have works from all his previous books along with forty new poems: Dear Prudence: New and Selected Poems.
This is the continuing story of Peyton Place in seventeen irrepressible syllables. One irreverent haiku for each weekly television episode.
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