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As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
This new anthology for university students in both general courses and courses devoted to the short story presents the short-story form through classic texts in the English language. From early writers such as Nathaniel Hawthorne, Edgar Allan Poe, Henry James, and Sara Jeannette Duncan, through twentieth-century figures such as F. Scott Fitzgerald, Virginia Woolf, and Flannery O'Connor, to contemporary voices like Mavis Gallant and Alice Munro, The Short Story in English shows the development of a major literary form. Half of its stories are by men, half by women, and one-third of the thirty writers included are Canadian. By representing writers with two stories, the anthology permits in-depth comparisons and stylistic analysis. The Short Story in English will become an indispensable textbook.
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