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For the Scribe continues Wojahn's explorations of the interstices between the public and the private, the historical and the personal. Poems of recollection and elegy commingle and conjoin with poems which address larger matters of historical and ecological import.
An impassioned consideration of the place of poetry--and the poet--in an ever-changing world
A career-spanning selection of work by a widely respected American poet, including a generous gathering of new poems. David Wojahn was awarded the 2007 O. B. Hardison Poetry Prize for this collection.
The fifth collection of poetry by David Wojahn. The Falling Hour is a book in which the workings of personal history collide with the forces of public history, examining loss and cultural legacies. Marks a significant advance from Wojahn's previous works, as he employs both strict forms and free verse.
Late Empire, David Wojahn's most wide-ranging collection of poetry, affirms his status as one of the most compelling and original voices of his generation. In these poems, private history and public history mingle and merge in a way that is by turns deeply personal and elegiac.
Strange Good Fortune is a collection of fifteen essays on the state of American verse, written by a well-known American poet whose criticism has also attracted considerable attention. Passionate in his engagement with both the practice of poetry and in the observation of verse as it exists within an increasingly professionalized and sometimes perplexing scene, Wojahn follows in the tradition of poet-critics such as Randall Jarrell and Delmore Schwartz, offering provocative and insightful observations about such topics as the persistence of autobiographical poetry, poetry and politics, the creative writing industry, American poets and travel, recent literary hoaxes, and the poetry of depression and invective. The essays discuss not only familiar figures such as Elizabeth Bishop, James Wright, and Robert Lowell but also under-appreciated poets such as Weldon Kees, Frederick Seidel, and Armand Schwerner, as well as younger poets such as Mark Doty, Susan Mitchell, and Denis Johnson. Wojahn's is a humanistic and practical criticism, devoid of theoretical cant, and capable of both acute analysis of individual poems and larger generalizations about poetic method. Forceful, readable, and unflappable, Strange Good Fortune is the work of a poet writing about what he cares about; it is not hobbled by jargon or addled by theory.
Wojahn continues to explore the themes and approaches which he is known for, among them the junctures between the personal and political, a giddy mixing of high and pop culture references, and a deep emotional engagement with whatever material he is writing about.
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