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'Cross-Channel Modernisms invites us to think anew about the history of connections between Britain and France - a timely and urgent project - in its transdisciplinary voyages across and between the literary, visual and musical arts. Starting from the stories of the people, objects, words and imaginaries that moved back and forth across The Channel/La Manche, the book reconfigures our understanding of transnationalism and translation in the modernist period.' Anna Snaith, King's College London Explores modernist aesthetics and cultural exchange in Britain, France and beyond Described by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and an intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchanges in Britain, France and beyond and proposes a rich conceptual apparatus of 'crossings' and 'channels' through which we can read modernism and understand it as emerging from, and intervening in, an always-already shifting, multivalent, international context. Claire Davison is Professor of Modernist Studies at the Université Sorbonne Nouvelle, Paris. Derek Ryan is Senior Lecturer in Modernist Literature at the University of Kent. Jane Goldman is Reader in English Literature at the University of Glasgow. Cover image: Blouse design by Sonia Delaunay Cover design: [EUP logo] edinburghuniversitypress.com ISBN Barcode
A new authoritative edition of Katherine Mansfield's complete correspondenceOrganised by recipient, this innovative 4-volume edition allows the reader to explore and share Katherine Mansfield's individual relationships via her letters. Well-known Mansfield scholars Claire Davison and Gerri Kimber have returned to the author's original letters, retranscribing and fully annotating them, incorporating recently discovered biographical material as well as previously unpublished letters. As the four volumes in the Collected Letters reveal, letter writing was an essential part of Mansfield's literary production.From Conrad Aiken to Hugh Jones, this first volume covers correspondents from every period of Mansfield's life. A detailed introduction, together with biographical portraits for each correspondent, enhance the cultural and socio-historical context, while the letters themselves offer a detailed exposé of Mansfield's life: from exile and emigration, intimacy and betrayal, and the traumas of war and disease, to nature and the environment and fashions and food. The volume also reveals the intimacies of some of Mansfield's most prized friendships.Claire Davison is Professor of Modernist Studies at the Université Sorbonne Nouvelle, Paris.Gerri Kimber is a Visiting Professor in the Department of English at the University of Northampton, and a professional writer and book reviewer.
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